Road Trips & Head Trips

By HANNAH GERSEN

 

“In House” is a weekly column featuring trawlings and reflections from our editors.

It’s the end of the summer and we’re all digesting a season of vacations. Here’s a sampling of reflections from around the web, from armchair dreamers to day trippers to professional travel writers:

At Killing the Buddha, Ben Brazil reflects on the pleasures and pitfalls of searching for larger meaning in the serendipitous moments that occur while traveling: “Travel as a spiritual practice, can distort at least as much as it reveals, and not only because its magic involves wealth and privilege.”

Spiritual seekers of a different stripe gathered for the 25th Annual Ozark UFO Conference. Get the full report at Oxford American.

In London, Geoff Dyer holes up in a boat on the Thames to contemplate Joseph Conrad’s Heart of Darkness, a famously distorted account of a journey to a foreign land. In typical Dyer fashion, he ends up contemplating the “critical river” one must contend with when approaching such a classic. Sven Birkerts performs similar critical contortions as he wrestles with W. G. Sebald’s first book, Vertigo, a novel of four disparate narratives, segued by uncanny coincidence. “The overt theme is that of travel, more specifically the movement of the nervously attuned and alienated sensibility—the literary sensibility—through often unfamiliar places.”

New York Times book critic Dwight Garner abandons reading altogether during his vacations, preferring to view his road trips as a “cultural cleanse” and a chance to reflect on his life—or, at the very least, listen to some new music.

Road with Trees

At Granta, a Christian Iranian family experiences the ultimate form of culture shock as they arrive in Oklahoma in the summer of 1991, hoping to begin a new life.

Finally, in an excerpt from Ecotone 13, Bruce Cohen wryly addresses the impulse to escape in his poem, “American Vacations”: “This Saturday, instead of a picnic, tour/The countryside to select the idyllic location for your grave.

 

Hannah Gersen is the Dispatches Editor of The Common.

Photo from Flickr Creative Commons

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Road Trips & Head Trips

Related Posts

model plane

The Reading Life: The Acrobat

JIM SHEPARD
And Shep looked only a little chagrined, like someone had asked why he had never become an acrobat, and allowed as how he was sure it was very impressive, given how many distinguished people had praised it, but that it was not the kind of thing someone with his background could judge.

Lily Lloyd Burkhalter's headshot and Issue 29 cover

Lily Lloyd Burkhalter on “Raffia Memory”

LILY LLOYD BURKHALTER
Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common’s spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well.

The Reading Life: You’re Going to Hear the Pages Turn

WILLIE PERDOMO
You didn’t go to school to learn how to be a writer. You wrote. So, I dropped out of my first attempt at college after my second year. Dropped out of my second attempt at college after two semesters. You can’t learn to be a writer. But you can wear yourself out garnering experience.