Sandstorm

By RASHA ALDUWAISAN

 

There’s an itch in my throat like fox fur,
broom bush, cactus whittled to dust,
and my son thinks the city has vanished,
wind whipping up a smokescreen,
but still, he helps me sweep,
brings in cushions from the garden,

asks me where the buildings have gone,
and I point there, sketch the skyline
with my finger, the desert still on my tongue,

habibi? He asks for water, for milk, anything
to change the taste in his mouth, so I say here,
give him orange juice and syrup,

sit him on the sofa, say watch,
as farm animals dance on screen,
fluorescent tulips singing in a meadow,

but there’s an itch on my scalp
like moon dust, feathers floating over the balcony,
and a hudhud, crowned and ancient, pecking at the air.

 

Rasha Alduwaisan is an oral historian from Kuwait. Her poetry has appeared in Cathexis Northwest Press and Cordite Poetry Review. She earned an MA in Middle Eastern studies from Harvard University and spent a few years working at the Natural History Museum in London.

[Purchase Issue 22 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Sandstorm

Related Posts

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.

Long wooden table with chairs. Plants in the background.

Four Ways of Setting the Table

CLARA CHIU
We are holding the edges of the fabric, / throwing the center into the air. / & even in dusk this cloth / billowing over our heads / makes a souvenir of home: / mother & child in snowglobe. / Yet we are warm here, beneath / this dome, & what light slips through / drapes the dining room white.