Silence of The Lambs: A Starling Is Born

By REILLY D. COX

CLARICE
All his victims are women…
His obsession is women, he lives to hunt women.
But not one woman is hunting him—except me.
I can walk into a woman’s room
and know three times as much about her as a man would.

 

A starling catches me in a dress
and pierces my chest two times,
deeply, and I cannot blame her.

She’s right:
I was such an ugly bird.

She says that any bird raised as a boy
is conditioned as a boy and cannot ever
change that, and I don’t correct her.

If boyhood is a circle of boys above me
stomping purple flowers into me,
then I’ve known such a wondrous boyhood.

And if I say, I did not ask to be born a bird,
she wouldn’t hear me anyway.

There’s already a flock of them,
reducing my nest to sticks again.

And they will call me by a name,
but it won’t be mine.

 

Reilly D. Cox is an MFA candidate at the University of Alabama in Tuscaloosa, where they served as design editor for Black Warrior Review. They attended Washington College and the Bucknell Seminar for Younger Poets. They have work available or forthcoming in Nat. Brut, Always Crashing, Juked, Cosmonauts Avenue, Rust + Moth, and elsewhere.

[Purchase Issue 19 here.] 

Silence of The Lambs: A Starling Is Born

Related Posts

Image of a sunflower head

Translation: to and back

HALYNA KRUK
hand-picked grains they are, without any defect, / as once we were, poised, full of love // in the face of death, I am saying to you: / love me as if there will never be enough light / for us to find each other in this world // love me as long as we believe / that death turns a blind eye to us.

many empty bottles

June 2024 Poetry Feature: New Poems by Our Contributors

KATE GASKIN
We were at a long table, candles flickering in the breeze, / outside on the deck that overlooks the bay, which was black / and tinseled where moonlight fell on the wrinkled silk / of reflected stars shivering with the water.

Messy desk in an office

May 2024 Poetry Feature: Pissed-Off Ars Poetica Sonnet Crown

REBECCA FOUST
Fuck you, if I want to put a bomb in my poem / I’ll put a bomb there, & in the first line. / Granted, I might want a nice reverse neutron bomb / that kills only buildings while sparing our genome / but—unglue the whole status-quo thing, / the canon can-or-can’t do?