All posts tagged: Fiction

Guava Paste

By DAVID SERAFINO

Gustavo’s cinder block bungalow has no windows, so he’s surprised when he steps out at half past dawn to find a man in an olive uniform digging post holes for a semi-assembled fence scattered in the dusty yard. The soldier stands, puffs his chest, and dusts off his brass buttons. He is young, tall, and handsome—some proud mother’s son. Gustavo is old, bent, and ugly as the day he was born. 

Guava Paste
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This is How it Begins

By ELVIS BEGO

Brunch nearly over, talk getting punctuated by lulls, her mother, trim and elegant in her pastel widowhood, letting father go so easily, it seems to Josephine, now asks her if she is thinking about a child.  

“No,” comes the answer, but too quick, too reflexive. It’s too late to take it back, but she makes the attempt anyway, and says, “Well, it occurs to me now and then, but Ismar, you know….” She doesn’t finish the sentence, and her mother knows to look away to give her time to change the subject, which she doesn’t. Instead she says, “I will, of course, have to think about it, if it is ever to happen.” 

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Podcast: Liz DeWolf on “Ex Situ”

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Listen on Apple Podcasts.

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Listen on Spotify.

Transcript: Liz DeWolf Podcast.

Liz DeWolf with Issue 31 of The Common
 

Liz DeWolf speaks to Emily Everett about her story “Ex Situ,” which appears in The Common’s spring issue. The story follows an American living in Istanbul, navigating the end of a relationship, and the appeal and alienation of living abroad in a layered, complex city. She also discusses her process and revision methods, the themes she often returns to, and her work as a nonfiction book editor.

Podcast: Liz DeWolf on “Ex Situ”
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Excerpts from Khanandihi

By SHATADAL MITRA
Translated by BISHNUPRIYA CHOWDHURI

Piece appears below in English. Click here to read the original in Bengali.


Translator’s Note

I believe what makes stories great is their ability to surprise and hearten their readers simultaneously. The tale of Khanandihi, which revolves around a quintessential Bengal village as it lives through generations of transformation— social, economic, and ethical—does so with an unparalleled efficacy that deserves a global readership. The narrative defies linearity, both in its language and in its structure. As a result, past and present run interwoven into each other, endowing even the smallest characters with a cosmic expanse and scope. The text resists rushed reading—its layers of long, winding sentences and subtle subtextual nuances unlock only when savored.

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Sharing The Lane

By ELANA LAVINE

He gets in the water piece by piece, ankle thigh nipples, grunt. Shoulders below the same surface, it’s obscene, like slipping into my bed.

Oh that’s cold

I’ve stopped for breath. Not for this.

You’re a strong swimmer, he says, I was watching. A round-calved lifeguard stalks, pink toenails at my eyeline. She knows, and I know, that I can’t have a lane all to myself.

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Podcast: Juliet McShannon on “Rescue”

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Listen on Apple Podcasts.

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Listen on Spotify.

Transcript: Juliet McShannon Podcast.

Juliet McShannon headshot with Issue 31

Juliet McShannon speaks to Emily Everett about her story “Rescue,” which appears in The Common’s spring issue. The story follows a woman on her search for a lost dog through a neighborhood very different from her own, and explores ideas of loss, class, community, and healing. Juliet also discusses how her childhood in Apartheid South Africa, and young adulthood practicing law during the time of transition that followed, has shaped her writing.

Podcast: Juliet McShannon on “Rescue”
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Pink Days

By GABRIELLE KORN

Excerpted from Long Island Girls

Cover of Long Island Girls by Gabrielle Korn

Susan wanders aimlessly down the alt rock aisle of Tower Records, one parking lot over from the Walt Whitman Mall, next to the TGI Fridays. She runs her fingers along the top edges of the CDs while a Fall Out Boy song plays through the store’s speakers, nails on a chalkboard with its high-pitched harmonies. She’s wearing her large headphones like a necklace, plugged into a Walkman in her black pleather messenger bag.

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Martyrs

By CHELSEA BOLAN

When I got home from school that day, my mother was clearly excited about something.  She must have been watching for me from the window, because she met me at the door, and behind her I could see something denim folded up on the table beside the teapot. “I have a special treat for you,” she said. My heart ballooned in my chest. Levi’s. All at once I wanted to hug her and rush past her to put them on, I wanted to dance around the apartment like I never did, and I wanted more things, too—for my father to emerge from where he had been hiding all my life, the closet, or the jungles of Africa or Mexico, stepping from the shadows, framed by the doorway. 

She took my hand and walked with me over to the table. My heart began to deflate the closer we got, for it was clear that what was folded up there wasn’t a pair of Levi’s, but a length of raw fabric that had been created to rival Western denim. My mother was so happy that she seemed to slip outside her own body, snapping out the fabric like a flag, running her hand down it, wrapping it around my waist, nearly singing her words, because she thought she had given me what I wanted, that this would then be enough for me: this apartment, this city, this country, and my mother.

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The Sound the Sun Makes

By ELIZABETH BRUS

The village sits in the throat of the Maloti mountains, which hum pink with the setting sun. From east to west, the mountains resemble many fists, the knuckles as peaks, the fingers as slopes, the space between a deep emerald.

Tsepiso—fifteen, lover of algebraic maths, The Bold and the Beautiful, and the Greek-American singer Yanni—must walk to the village pump and return home before dark. Thabang, her neighbor, who saves sweets for her from the Chinese shop, intends to marry Tsepiso. This news drifted through the village like a Sunlight soap bubble, and so Tsepiso’s mother has warned her to be home early. Otherwise, Thabang will take her into the maize fields, lay her down, and make her a wife.

The Sound the Sun Makes
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