Why do you keep moving?
Because I’ve been given no other choice.
Why do you keep moving?
Because I don’t have the right passport.
With what do you cross borders?
A notebook, a hat, a picture of Jerusalem
and a poem in Aramaic.
Why do you keep moving?
Because I’ve been given no other choice.
Why do you keep moving?
Because I don’t have the right passport.
With what do you cross borders?
A notebook, a hat, a picture of Jerusalem
and a poem in Aramaic.
This month The Common offers a selection of poems from the anthology Making Mirrors: Writing/Righting by and for Refugees, forthcoming in November from Olive Branch Press, an imprint of Interlink Publishing Group.
A POETRY ANTHOLOGY THAT ILLUMINATES EXILE AND DISPLACEMENT
Making Mirrors began on two continents, envisioned by Palestinian poet and aid worker, Jehan Bseiso, and Becky Thompson, a US-based poet changed by months of greeting refugees after their perilous journey across the Aegean Sea.
This anthology uses mirrors to reflect imagistic connections that allow us to see ourselves in each other, those on rafts and those standing on the shore, those waiting/writing in detention and those writing from places of relative safety, those who lift their children to the sky and those whose bodies are at the bottom of the sea.
New poems by our contributors: NATHALIE HANDAL and STEVE KISTULENTZ
Lettera Lirica, Jerusalem
Because I see the shape
of your shadow in every city
Because you are on the edge
of every body of water
Because your language is tilted
towards the world
but you’ve kept some sentences
well-hidden
Because some words together
can frighten loneliness
like the lagoon moving aside
for the sea