Divided Heart: painting on slate, Jess Richards 2014.
Wellington, New Zealand
Stained light shines on breath-less angels
who occupy a stone heaven-on-earth without living for touch
without having felt another human enfolding them against soil.
Only the winged can lift themselves so high
but freeze half-way to the clouds
locked in cold bodies, solo-flight paused.
Everyone wears white here. Girls with white dogs in their arms rush towards the water. Women smear white ointments across the backs of their knees. Swimmers crouch over white caps.
Friends have gathered halfway up the beach, my father’s friends. Beside him sits a woman who was once so beautiful she was named the Rag Queen and transported on a float through the city. They crowd together under the Pohutukawa trees, the family and the extended family visiting from Europe. She waves to me. From across the sand I hear my father say “water lilies”…
I first encountered Tusiata Avia’s work at the Summer Literary Seminars in St. Petersburg, Russia just after she published her first book, Wild Dogs Under My Skirt. Her mocking voice, sometimes full of mimicry, sometimes searingly sarcastic, often aims at neocolonialism and globalization. Samoan/Palagi, Avia’s mother is descended from the Europeans who first colonized New Zealand and her father, a stunt man, was among the first wave of Samoan immigrants to New Zealand in the 1950s. For seven years before Avia’s second book arrived—Bloodclot, about Nafanua, the Samoan goddess of war, who leaves the underworld to wander the earth as a half-caste girl—she traveled from Siberia to Sudan and read or performed her work in places like Moscow, Jerusalem and Vienna. Last year Avia was poet-in-residence with Simon Armitage at the International Poetry Studies Institute in Australia. This year Wild Dogs Under My Skin was adapted as a theater event for six women and received rave reviews. The recipient of a Fulbright-Creative New Zealand Pacific Writer’s Residency, the Ursula Bethel Writer in Residence at University of Canterbury, a residency at the Macmillan Brown Centre for Pacific Studies in Christchurch, she won the 2013 Janet Frame Literary Trust Award. Truly an international poet with an indigenous Pacifika frame of reference, in Fale Aitu | Spirit House, Avia writes with a visceral, political, spare and passionate authority of someone who has seen the world.