Frances Richey is the author of two poetry collections: The Warrior (Viking Penguin 2008), The Burning Point (White Pine Press 2004), and the chapbook, Voices of the Guard (Clackamas Community College 2010). She teaches an on-going poetry writing class at Himan Brown Senior Program at the 92nd Street Y in NYC, and she is the poetry editor for upstreet Literary Magazine. She was poetry editor for Bellevue Literary Review from 2004-2008. Her work has appeared in or is forthcoming from: The New York Times, The New York Times Magazine, O, The Oprah Magazine, Plume, Gulf Coast, Salmagundi, Salamander, Blackbird, River Styx, and Woman’s Day, and her poems have been featured on NPR, PBS NewsHour and Verse Daily. Most recently she was a finalist for The National Poetry Series for her manuscript, “On The Way Here.” She lives in New York City.
“Nuns fret not at their convent’s narrow room,” I intoned solemnly when things were normal back in the BC days (Before COVID). “In truth the prison, unto which we doom/Ourselves; no prison is.” I winked at my “Forms in Poetry” class to let them know I felt their pain. It turned out to be our last face-to-face meeting for the semester. We were studying the sonnet and I’ve always used William Wordsworth’s love poem to strict forms as a pep talk for beginning prosodists. “And hence for me,/In sundry moods, ‘twas pastime to be bound/Within the Sonnet’s scanty plot of ground.”
Easy for you to say, I tell my three-weeks-ago self. I had no idea what was about to hit us. I’ll bet my shrinking TIAA stash that you didn’t either.
Friday, September 14, 2018 – 7 p.m. at Leonard Library, 81 Devoe St, Brooklyn, NY 11211
with Andrés Cerpa, Francisco Font-Acevedo, Carmen Graciela Díaz,
Joey de Jesus and Carina del Valle Schorske
September 2018 marks one year after Hurricane María devastated the island of Puerto Rico. This event features contemporary Puerto Rican writers of both poetry and prose sharing new creative work and discussing how the ongoing crisis has transformed our styles of survival, our experience of diaspora, and the function of translation. Readings will include a bilingual element to fully represent Puerto Rican linguistic diversity.
Puerto Rican Writing: One Year after María @ Brooklyn Book Festival
The National Guard is on patrol
in combat boots and GI Joe camouflage,
M16’s slung down to their hips,
young as boys on Halloween,
ready for anything, and I want
to hand every one of them a bag of candy.
Saturday Afternoon on a New York Railroad Platform