Sylvie Durbec was born in Marseille and lives in Provence, near Avignon. She writes texts in both prose and poetry, as well as painting and making collages. The many books she has published over the past twenty years include the prose-poetry memoire Marseille : éclats et quartiers (Marseille, fragments and quarters) which won the prestigious Jean Follain prize; Prendre place (Takingplace) concerning the internment camp at Douadic in France and Soutine, a prose-poem about the painter, published in The Common. This year she has published 50 carrés du jour (50 squares of the day) and Ça qui me poursuit (That which pursues me).
Denis Hirson grew up in South Africa and has lived in France since 1975. He has published nine books, several concerning the memory of South Africa under apartheid. The latest, both published in 2017, are Footnotes for the Panther, ten conversations with William Kentridge, and Ma langue au chat, in French, concerning the torture and delight of speaking and writing in that language.
Table of Contents
The Ignorance of Beasts
The Ignorance of Beasts
I still don’t know how to type a tilde on a computer keyboard
when writing the name of a Spanish or Portuguese writer I love.
I open the doors and windows and shut off the lights.
For a while I play tunes on the fiddle
shirtless in my dark house. I love doing this.
For the first time all day I am not at home.
For the first time since the last time
my body is the same size as my flesh.
The only home I have is finally mine
and there is a breeze.
When I translate Claudia Masin, I feel like I’m ice skating. This is not a foolproof metaphor, I know. But what I mean, mostly, is that it’s exhilarating. Her long, deft, elegant lines; her line breaks, both graceful and unpredictable; her limber back-and-forth between the broadly rhetorical and the minutely descriptive: all of this, all of her language, structure, and sense of timing, forms a surface, a gleaming expanse that I feel free—I want to feel free—to glide across. Fast enough for a sense of wonder, the illusion of ease; not so fast that I don’t notice what’s around me. Or beneath me: the inherent spookiness of ice, the shadows under the surface, the plants and creatures stilled but still living where we can sense more than see them.
Say Chicken Little was right, that the sky is falling. What I want to know is, will the moon fall too? Will it bounce softly like swiss cheese, or will it crumble like a stale cookie? Do skies bruise? Do they ache? And is the sky a metaphor for all the ills and evils of the world? A testament to how the earth can only hold so much pain and grief? But why would God send a chicken? Would you listen to a chicken? Is the chicken a metaphor for Jesus? Did the Bible mention this and somehow I missed it? Is this because in 6th grade my teacher made me promise Jesus my virginity in a gift basket? Actually, if the sky falls,
Backlit by the glow from a small passageway, he kneels into the fog of yellow light, head kissing the carpet. I step around him, respecting his privacy, when the mat becomes not prayer rug but builder’s tool, a black piece of tarmac, laid down before the bank so he could peer close, fix the dead motion sensor so that people with money could be seen, all doors opening for them.