We Two Women Can Father A Child

By LINDA ASHOK

While you play with your tresses,
and suckle your diamond with trust,
while you play with the bubbles
in your lime-soda with that straw,
there’s something you are trying
to place and I am missing it.

While you tow my stilettos with yours,
fleece the tissue and craft roses that you
shove in my cleavage, while you order
our favorite fish and chips and tease
me by your sudden claim of my last bite,
there’s something you are trying
to place and I am missing it.

While you ask me if my mother still longs
for my dad after 30 years of their separation,
if my child would be okay with two mothers
or if you be the softer one or I when the moon
has left the streets and birds have gone
back to their prayers, there are many
clues you have placed, and you know it all.

 

[Purchase Issue 15 here.]

Linda Ashok, author of whorelight, was the 2017 Charles Wallace India Trust Fellow in Creative Writing (Poetry) at the University of Chichester, UK. Her poems and reviews have appeared or are forthcoming in several publications, including The Common, Crab Orchard Review, the Big Bridge Anthology of Contemporary Indian Poetry, Mascara Literary Review, The Rumpus, and others. Ashok is the founder/president of RædLeaf Foundation for Poetry & Allied Arts and sponsors the annual RL Poetry Award (since 2013). More at lindaashok.com.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

We Two Women Can Father A Child

Related Posts

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.

Long wooden table with chairs. Plants in the background.

Four Ways of Setting the Table

CLARA CHIU
We are holding the edges of the fabric, / throwing the center into the air. / & even in dusk this cloth / billowing over our heads / makes a souvenir of home: / mother & child in snowglobe. / Yet we are warm here, beneath / this dome, & what light slips through / drapes the dining room white.