By YANG JIAN
He was old.
She, too, was old.
Their years, like lightning, slit the heart of the passerby.
They quickly finished eating a chicken:
He, the head, she, the legs.
From outside the window, a warm spring breeze brushed their faces.
Their hearts stirred for once,
Like the firs in the park,
Towering, nondescript.
It would matter precious little
If they were dead, rotten.
Translated by Stephen Haven and Li Yongyi
Yang Jian’s books of poetry include Dusk, Old Bridge, and Remorse.
RICHARD SIKEN
Artists take materials and manipulate them. So, fundamentally, the endeavor is confrontational. An artist confronts the marble, the pigment, the words. I think the artist also has to confront their cultural location in space and time. They have to confront where they're putting their attention and how they're presenting their vision.
MONIKA CASSEL
In ’87 I see guardsmen walk their AK-47s / on the platforms. The trains slow down but never stop. I think, / my mother was born in such a different Germany, but this is true for everyone / —so why can’t I stop looking?
JEHANNE DUBROW
Now we live in North Texas, hours away from the nearest shore. And yet, the massive amounts of open space—all the prairie, marsh, and plains that we have here—started to feel like another kind of vast water, another great expanse of distance and isolation.
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