Ballad for the One Who Never Went to Iowa

By JULIÁN DAVID BAÑUELOS

After Rafael Alberti 

I noticed the canas sprouting from her scalp, I noticed the sky,
I noticed the engines hum, I noticed my heartbeat, and the breeze.
Nunca fui a Iowa.

My mother tells me I gave her canas, and now I have my own.
Mi bisabuela worked los campos, says she was once Iowan 
Nunca vi Iowa.

I noticed the hills, the people populating small towns, roadkill—
I noticed county lines, I noticed the tumbleweeds, the flat lands
Nunca entré en Iowa.

I left to find the fields, the tomatoes, the beets, and the music
Mi bisabuelo worked for the railroad, and now I follow tracks
Nunca fui a Iowa.

I noticed the early risers, I noticed the big trucks, the high-
ways, I noticed the canyon, I noticed the solid yellow lines
Nunca vi Iowa.

Both my bisabuelos are gone, I am lucky to have known pain,
Here, I am lucky to have found the cardinal perching on the dogwood 
Nunca entré en Iowa.

I noticed the music fade, I noticed the blur in the rear view,
Again, I noticed the sky, the sun, the drift of clouds in pursuit 
Nunca fui a Iowa.

I am where the music died, came from where it began, I noticed
blood in the horizon, I noticed the river, I wanted to swim. 
Nunca vi Iowa.

 

Julián David Bañuelos is a Mexican American poet and translator from Lubbock, Texas. He is a graduate of the Iowa Writers’ Workshop. You can find his work at JulianDavidBanuelos.com.

[Purchase Issue 26 here.] 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Ballad for the One Who Never Went to Iowa

Related Posts

Map

DANIEL CARDEN NEMO
If I see the ocean / I think that’s where / my soul should be, / otherwise the sheet of its marble / would make no waves. // There are of course other blank slates / on my body such as the thoughts / and events ahead. // Along with the senses, / the seven continents describe / two movements every day

A sculpture bunny leaning against a book

Three Poems by Mary Angelino

MARY ANGELINO
The woman comes back each week / to look at me, to look / at regret—that motor stuck in the living / room wall, ropes tied / to each object, spooling everything in. She / comes back to watch / what leaving does. Today, her portrait / splinters—last month, it was only / askew

Aleksandar Hemon and Stefan Bindley-Taylor's headshot

January Poetry Feature #2: Words and Music(ians)

STEFAN BINDLEY-TAYLOR
I am sure I will never get a name for the thing, the memory of which still sits at a peculiar tilt in my chest, in a way that feels different than when I think of my birthday, or my father coming home. It is the feeling that reminds you that there is unconditional love in the world, and it is all yours if you want.