Alma Clark

My Freedom

By MARIA DE CALDAS ANTÃO

 

 

My freedom is not
to answer the phone
or open the door. I don’t care

if I’m not liked anymore.
I’m free to be that, disliked, to sweat
to be that—take flight, from like or dislike.

My Freedom
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Indoles and Aphrodite

By LAKSHMI SUNDER

Aphrodite was whipped from the sea, spun from the foam of Oranos / Uranus.
In science class, I’m laughing at Uranus / your anus. Now, I’m cornered in timeout.
He wants me when I’m fresh, for my curves. He wants me when I’m fermented,

for my composting capabilities. I can grow something made from him.
But the daughter would be born with the worms, and it doesn’t take much for
worms to molt into Medusan snakes. Aphrodite was worshiped as a goddess

Indoles and Aphrodite
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Summer People

By BETH BOYLE MACHLAN

Most of our old family photos are from the beach, and most of them are of my father. In them, he is always grinning, gleaming from the Hawaiian Tropic suntan oil that scented the denim shirt he wore every summer. My mother loved the beach, too, but did not like to be photographed. In all those years, Dad caught Mom on camera only once, on a boogie board riding a wave, still wearing the sunglasses that stayed on her head all summer, even after dark. She preferred to float, read, and take pictures of my brothers and me. Blindingly pale or perilously pink, like “before” ads for skin cancer, we’re inevitably chewing or punching or blinking, ruining the picture. My father, however, always looks perfect, natural, exactly where he’s supposed to be. His hands are on his hips, superhero-style, as if he’s won some high-stakes game and the beach now belongs to him.

Summer People
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January 2024 Poetry Feature: Part I

New poems by ADRIENNE SU, ELEANOR STANFORD, KWAME OPOKU-DUKU, and WILLIAM FARGASON

Table of Contents:

  • Adrienne Su, “Solitude”
  • Eleanor Stanford, “Lover, before the pandemic”
  • Kwame Opoku-Duku, “Glory”
  • William Fargason, “Holy Saturday”

 

Solitude
By Adrienne Su

My body rebelled
against the amorphousness
of American

motherhood, which asked
me to be available
as if I were five

women: two grandmas,

January 2024 Poetry Feature: Part I
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Two Poems by David M. Brunson

By DAVID M. BRUNSON

 
Skyline of Santiago, Chile

 

Vertigo

Santiago, Chile

For over a month now, my wife and I have dangled extension cords
from our 26th-floor balcony to the neighbors’ apartment

because their landlord collects rent but refuses to pay the utility monopoly.
The girls cry when we have to disconnect, but we’ll be gone for a while,

plus there’s a chance of rain, and therefore, an electrical fire
in our 1000-person highrise. We saw one just last week. The all-volunteer

Two Poems by David M. Brunson
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The Children of the Garden

By ANNIE TRINH

The first time Lilian saw her siblings’ hands sprout from the fertile earth, she hid behind her father’s leg and begged him to be careful. She tugged his fingers as the infant-cries rang through the twilight of crickets and fireflies, telling him that they should hurry before mom came back from the store, but he didn’t listen. Her father looked down with watery eyes and knelt to the ground, trembling. He removed the soil from the newborn babies, took them into the kitchen, and placed them in the sink. Monoecious plants, one boy and one girl. Her father cleared all the dirt from their bodies. With a fresh towel, he cleaned their tiny hands, wiggling feet, faces, their grumbling stomachs—dusting off the tiny ants and soil stuck to their eyelids. 

The Children of the Garden
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Sisters

By MIGUEL M. MORALES
with Deb Morales, MyLinda Morales Hutchings, Grace Morales

I grew up in a farmworking family.
No, that’s not accurate—it’s incomplete.
I grew up in a family of farmworking women.
The hands of our sisters, tías, cousins, mothers,
and abuelas have worked the fields, worked to feed us,
worked to raise us, worked to protect and provide for us.
I love my mom but the truth is that my sisters raised me.
Farmwork would not survive without women,
nor would farmworker families.

Sisters
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Re(education)

By LIZBETH LUEVANO

in the coachella valley
children go to school and learn how to internalize silence
girls sit pretty with pigtails wrapped in bubble-ball hair ties
learn how to cast their eyes downward
so that when they ask the class what do you want to be when you grow up?
boys respond, i want to work in the fields like my dad

Re(education)
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