Poems by RODNEY GOMEZ
This feature is part of our print and online portfolio of writing from the immigrant farmworker community. Read more online or in Issue 26.
Barrioized Haiku
When it rains the water
raises the dead
street long enough
to let the wheels
find the divots of neglect.
That is why I walked
barefoot to your lintel:
everything built skews
away from us and toward
the gray light of wealth.
Liverpool
The teeth of the excavator are wet. The cage opens, hovers, and grips a mouthful—some floor, some outer wall, some window frame, the glass disappearing with a tiny, tinkling sound.
Now, suddenly, the bedroom of the upstairs flat is revealed. A ragged cut-away, leaving just one perfect wall, wallpapered. Poppies on a purple field. The room, when it was a room, was probably small and ordinary; now, illuminated, it is the envy of all other rooms, the ultimate mezzanine. Light pours in from everywhere and the window frames blue sky.
By MEGAN KAMALEI KAKIMOTO
Reviewed by MARIAH RIGG
A mentor once told me, “you write to the places you are not,” and I think that is true for not only what I write, but also what I read. Since moving to the Southeast U.S., with its millennia-old forests and rolling thunderstorms, I’ve taken to reading about the places I’ve come from: Oregon, Southern California, and the islands upon which I was born and raised, the place where my family has lived as settlers for over three generations—Hawaiʻi.
By G.G. HARROW
Eastern Kentucky
After Terrance Hayes and Wanda Coleman
Attachment 1
country music is Black — indigenous — immigrant — almost successfully paved over — i made these poems from 36 common words in top-selling country songs since the ’90s according to a concert ticket corporation
“Clouds are like cotton candy,” Obasan says. “I could reach up and grab a piece.” At this, she pretends to pluck a cloud out of the wide summer sky and drop it into her mouth.
We’re in the beach chairs in the backyard, afternoon heat washing over us. After a pause, Obasan continues, “My grandfather, he was a fisherman. And he used the clouds to tell what kind of fish he would catch that day.”
I point up at a grey mass that’s about to block the sun and ask, “What does that cloud say?”
Obasan says, “That one’s too big. Too dark. But sometimes, he would look up at a cloud, and it would be a big sardine day…”
By NORMAN ERIKSON PASARIBU
Translated from the Indonesian by TIFFANY TSAO
From Happy Stories, Mostly by Norman Erikson Pasaribu, translated by Tiffany Tsao. Excerpted with permission from the publisher, Feminist Press.
Welcome to the Department of Unanswered Prayers! Here’s your ID. When it’s time to go home, put your badge in your bag and leave the bag in your car. Rather than tossing it in some drawer, I mean, or chucking it somewhere inside your room. Don’t worry. No one will steal it. And don’t forget to bring it tomorrow and the day after and all the days after that. You’ll need it to get past security and to access the main entrance, the department, the sub-departments, the letter storage facility, and the archive. It happens every now and then—someone forgets their badge and has to go home to retrieve it. What a waste of time and money. Remember, every minute you’re late will incur a corresponding reduction in your heavenly salary. Each minute you’re late also incurs a 0.33-point penalty, to be subtracted from your end-of-year point total. Don’t let it get so dire that you can’t redeem them for the leave you’re entitled to every fourth year, because if you’re short even a fraction of a point, you’re still short a fraction of a point.
New poems by TIMOTHY DONNELLY, JANUARY GILL O’NEIL, and NGUYEN BINH
Table of Contents:
—Timothy Donnelly, “Eglantine” and “Mill”
—January Gill O’Neil, “Us”
—Nguyen Binh, “Two of the Graves by the Highway” and “Uncle”
Eglantine
By Timothy Donnelly
after Marceline Desbordes-Valmore
Thorn-blossom! Tender thing, prone to solitude
like yours truly, don’t get it twisted if I reach out my hand—
it isn’t to pluck you, who are my beacon down this path, but a gesture
of acknowledgment common among my kind.
By BOB JOHNSON
Joetta woke from a dreamless, midday nap to a knock on the door, and the first thought that came to her was, The grass isn’t mowed. Visitors to the Thatcher home were rare, but like the woman traveler who wears clean underwear in case of an accident, Joetta believed a house’s tidy exterior promised a respectable life within.
On the other hand, with bills to pay, with the Indiana heat stifling, with Mother sick in bed upstairs, the last thing Joetta needed was company.
She rubbed her eyes and limped to the front window. A young man in a corduroy jacket stood on the porch. Joetta didn’t know him, though she decided he wasn’t a Jehovah’s Witness. Those people carried tracts and bibles, not manila folders under their arms. Also, they had a smile at the ready, while this one—he knocked again, then mopped his face and checked his watch, all in the same harried motion—had difficult business before him.
She thought not to answer, but she figured someone compelled to be there would feel compelled to return, so she opened the door slightly and peered over the safety chain.
“Is that Mrs. Thatcher?” the young man said.
By ALA FOX
Saint-Denis
It is Ramadan in Saint-Denis, the banlieue north of Paris. It is almost 21:00h on a June Sunday, and the sun hangs a hazy orange in the sky. The elevator in Amir’s building is broken so we climb the six stories, past the floors of muffled French Arabic and children’s screams. His mother’s home has one bedroom and a narrow tile-floored kitchen, like the one in my grandmother’s apartment in Beijing. There is a cigarette lighter for the stove, but I am too clumsy for this, so Amir manages.
By KHALID AL-NASRALLAH
Translated from the Arabic by NASHWA NASRELDIN
Barefoot. I don’t know how we did it.
Around noon on those April days, my father would do his best to stop me from going out. After lunch, he’d stomp around the house locking all the doors: the kitchen, the front door, the back door, the main living room. Sometimes he’d even try to drag me to his bedroom and force me to take a nap.
Don’t miss an issue! Subscribe to The Common.