Graphic novel written by BESSORA and illustrated by BARROUX. Translated from the French by SARAH ARDIZZONE.
Reviewed by JULIA LICHTBLAU
In 1994, the last year my husband and I lived in Paris, a Senegalese woman named Delphine cleaned our apartment, often bringing her baby girl. At some point, she asked us to help her resolve her immigration problems. The baby was a French citizen; Delphine had come to France to work for French expats returning from Dakar and been let go some years ago.
This month, we’re celebrating our wonderful summer interns who work tirelessly to ensure The Common’s excellence despite the heat. As Amherst College students, these three readers ask us to look towards the margins; the lines between civility and scandal, poetry and prose, black and white.
Willa Carroll was an experimental dancer and actor before turning to poetry, and many of the poems of her remarkable debut collection, Nerve Chorus, revolve around performance and the body. Her work reminds us that much of our experience transcends our verbal abilities. With personal subject matter and elegant, yet accessible, philosophical explorations, Carroll succeeds in maintaining a strong tonal unity and distinct lyricism. Like experimental dance, these poems invite a visceral experience. Meanwhile, they should be admired for their lyrical flexibility, the exactness of their imagery, their life-affirming quality, as well as their intellectual engagement. Though this is her first collection, Carroll’s poems have garnered attention for some time. She won Tupelo Quarterly’s TQ7 Prize for her poem “Chorus of Omissions,” and her piece “No Final Curtain” won First Place in Narrative Magazine’s Third Annual Poetry Contest.
Outstanding books often have a way of catching the reader by surprise, one insight, one unexpected narrative shift at a time. Niña Weijers, a debut novelist from the Netherlands, begins her book as a character study of her protagonist, Minnie Panis. Minnie is a conceptual artist of growing international reputation, whose career has been built on acts of public self-abnegation. With each turn of the page, Weijers extends her subject and thematic reach, keeping her protagonist in focus while exploring contemporary art, mysticism, Mayan beliefs, and early childhood development (among other themes) to enrich our understanding of Minnie’s character and the forces that govern her life.
In fairy tales, the forest is a dark, dangerous place, populated by wolves and other menacing creatures, but for Thomasin and her father, Will, a veteran of the wars in Iraq and Afghanistan, the forest is a respite, a place of quiet and calm. More than that, it’s their home. For several years, they’ve been camping in Forest Park, an enormous urban park on the outskirts of Portland, Oregon. Although they have gone undetected all this time, they still do practice drills in case they should be discovered. In an early scene, Will critiques his daughter’s hiding place, telling her that her socks give her away. Actually, it’s Thom’s eyes that betray her: you can see her loneliness and her restlessness. As a younger kid, 24-7 camping may have appealed to her, but when we meet Thom, she is a young teen, full of curiosity about the outside world and eager to meet new people. The only thing that keeps her in the woods is her deep love and sympathy for her father.
We can’t believe that we’re on the brink of publishing our FIFTEENTH Issue! If you couldn’t make it to our Launch Party, you can still mingle with our Issue 15 contributors in this month’s Friday Reads. When you’re done reading, be sure to purchase your copy of Issue 15 here!
Friday Reads is like a box of chocolates: there’s something for everyone, even the weirdos who read scripts! This month, sample an autobiographical novel, a collection of love poems, and a modernist play.
In Ivy Pochoda’s latest novel, Wonder Valley, we find ourselves amidst a scruffy, largely invisible subset of Los Angelenos: drifters, con artists, criminals, quack healers, the homeless. The few in their orbit who have money or a measure of success are in danger of losing their souls. Everyone is close to the edge, all the time. Yearning. Longing. Trying to get someplace. Anywhere but here.
Once again, The Common and Amherst College are honored to welcome a selection of visionary authors to our third annual LitFest–a weekend long series of events celebrating literary brilliance and nuanced expression. The talks, workshops, and panels will include, among other voices, 2017 National Book Award Finalists. This month, our staff and interns have chosen their reading in anticipation of our guests, and we present here our thoughts on just a few of these dazzling works. For more information on LitFest, please visit the Amherst College website.
Early on in Empire of Glass, the novel’s American narrator offers fair warning that what follows will not be straightforward: “So much of what I’m telling you is already reimagined, reconfigured so convex angles are made concave, mirrors reflecting other mirrors reflecting an uncertain, setting sun.” That includes her name, Lao K (or “Familiar K”), a nickname her Chinese homestay family gave to replace “a long, complicated name we could never pronounce.”