In fall 2020, The Common, in partnership with the DISQUIET International Literary Program in Lisbon, will publish a portfolio from the Lusosphere: Portugal and its colonial and linguistic diaspora. We hope to include writers from and works about the many countries and communities that make up this diverse diaspora. Writers need not speak Portuguese or live in a Portuguese-speaking country to submit.
We seek pieces in the genres of fiction, nonfiction, poetry, and hybrid works. Pieces may be written originally in English or Portuguese. If written originally in Portuguese, please provide an English-language sample of at least 30% of the piece.
Submissions open July 1 and close on November 15, 2019. Early submissions are very much encouraged, as we will accept pieces until the portfolio is full.Deadline extended to November 22nd, 2019!
WONG KOI TET
The body of water that runs by the neighborhood is in fact a river, but everyone used to call it longkau— a storm drain. The Hokkien word has a crispier edge than the Mandarin longgou. Calling it a river would require a proper name, a division into upstream and down. Nobody knew about that stuff, so we went with what was the easiest.
NAIVO The first time I tried to see Judge Florence, I employed the same strategy as most petitioners: I camped out at the entrance to the courthouse in the administrative district next to the lake in the capital to try and grab her as she walked in. But that just showed my ignorance.
SHADY LEWIS Of course it’s not unusual to be unaware of certain other people’s existence in the world; of many people’s, even. But the fact I was now responsible for his body, suddenly and out of the blue, was bound to cause me some anxiety. Death was going after people half my age.