The man’s face is gone. Gone the others circled around him in the hut, gone the clang of cowry shells (were they cowry shells?) gathered around their ankles, gone the hut. Gone the ochre-red soil on which the hut was built. All that’s left is the fabric the man, who was a chief, was wearing. The blue of it—a blue so rich it throbbed.
Indigo doesn’t just dye a surface. It gives depth.
while driving today to pick up groceries
I drive over the bridge where it would be
so easy to drive right off the water
a blanket to lay over my head its fevers
By PRIA ANAND
The elephant-headed boy was born with the head of a boy.
“I had been expecting you for years,” his mother told him. “By the time you were born, you could practically walk.”
By HISHAM BUSTANI
Translated by NARIMAN YOUSSEF
Amman is not incidental. The sayl, the stream that patiently carved a path between seven hills for thousands of years, drew—as waterways often do—the din of life. It was somewhere close to here that the Ain Ghazal statues were found. Nine thousand years old, captivating in their simplicity, they seem to be about to speak as you contemplate their black-tar eyes, the details of their fine features, their square torsos and solid limbs.
By ERICA DAWSON
The month is February and that means
nothing because winter in Tampa is
the same as fall and spring so it could’ve
been easily Thoreau’s “September sun”
or Eliot’s “April is” blah blah blah.
By MARIAH RIGG
Fifty-eight years before Harrison’s granddaughter is born, the U.S. government drops a two-thousand-pound bomb on the island of Kaho‘olawe. It is 1948. On Maui, the shock from the bomb is so strong that it shatters the glass of the living room window, and Harrison, a baby still in his crib, starts wailing in time with the family mutt.
According to rule. The terrible safeguard
of the text when placed against the granite
ledge into which our industry inscribed
itself. We were prying choice from the jaws
of poverty, from the laws of poverty.
By ALA JANBEK
Translated by ADDIE LEAK
Amman was culture, colorful walls, and distant souqs in the old city where Mama tried to buy everything we needed in one trip. Na’ur was where my grandfather built the mill near a spring, where our home by the hill watches the sun set behind Palestine, far from the chaos of the valley.
To take a liberty with lexicon
is remiss in the circumstances
of the curlew
with diminished habitat.
It reprises every day,
and the mudflats
sheeted by the in-
sweep of tide leads it to the mowed
grass in front of the Bantry
is quiet and bright along
the edges, is a beast of silence,
grips a wooden cane
where in the daylight it taps
its way among the stones
and puddles.
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