Asexual Liberation: An Interview with Angela Chen

ELIZA BREWER interviews ANGELA CHEN

Angela Chen's headshot

Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex is Angela Chen’s first book: an incredible feat considering the breadth of topics that Chen covers with the adroitness that only an experienced journalist could bring. This is a book about asexuality, the often overlooked ‘A’ in LGBTQIA, and the ace community. But the book also challenges everyone, regardless of sexual identity, to interrogate their own relationship to romance, sex, desire, and culture. Chen is particularly interested in the phenomenon of compulsory sexuality, which, in her own words, describes, “a set of assumptions and behaviors that support the idea that every normal person is sexual, that not wanting (socially approved) sex is unnatural and wrong, and that people who don’t care about sexuality are missing out on an utterly necessary experience.”

Asexual Liberation: An Interview with Angela Chen
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Podcast: Jose Hernandez Diaz on “Ode to a California Neck Tattoo”

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Jose Hernandez Diaz speaks to managing editor Emily Everett about his poem “Ode to a California Neck Tattoo,” which appears in The Common’s spring issue. In this conversation, Jose talks about finding his way to prose poetry, initially drawn in by its casual language and style. He also discusses the process of editing and revising poetry, his interest in the surreal, and what it’s like writing from a first generation point of view. 

Image of Jose Jose Hernandez Diaz and Issue 21 Cover.

Podcast: Jose Hernandez Diaz on “Ode to a California Neck Tattoo”
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August 2021 Poetry Feature

Enjoy these new poems by our contributors.

 

Table of Contents:

            Tina Cane

                        –Essay on States

                        –Regime

            Benjamin S. Grossberg           

                        –Worshipping the Ancestors

            Iain Twiddy

                        –Crack Willow

August 2021 Poetry Feature
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Open Season

By LAURA LAING

A field under clear skies

 

Wythe County, VA, 1985

 

The rifle is heavy and hard in my arms, the butt jammed up into my right shoulder, just like Lee showed me. Peering down the nose of the gun, I can see the line of targets—coffee cans, plastic milk jugs, and Coke cans—lined up like birds on a fence. The air is cool and wild, and a breeze comes across the hollow carrying the sweet smell of hay and manure. Except for the herd of grazing Holstein cattle, little black-and-white smudges against the browning pastures, Lee and I are the only living creatures visible. Me and him and the gun with real bullets.

Open Season
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The Poet’s Languages: A Conversation between Ilan Stavans and Haoran Tong

A conversation between ILAN STAVANS and HAORAN TONG

Does a poet benefit from knowing more than one language? In what way do translingual poets approach their craft differently than their monolingual counterparts? Should translingual poets be understood as “self-translators”? Is translingualism a form of rebellion? How do we make home in, across, and between languages? 

These topics are part of the following conversation between Ilan Stavans and Haoran Tong. Ilan Stavans is Lewis-Sebring Professor of Humanities, Latin America and Latino Culture at Amherst College. He is the author of the award-winning, book-length poem The Wall (2018) and the translator into English of Jorge Luis Borges and Pablo Neruda and into Spanish of Emily Dickinson and Elizabeth Bishop, among others. Chinese poet Haoran Tong is a student at Amherst College. The conversation took place electronically in Amherst and Wellfleet, Massachusetts, from June 25 to July 10, 2021.

The Poet’s Languages: A Conversation between Ilan Stavans and Haoran Tong
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Podcast: Emma Sloley on “The Cassandras”

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Emma Sloley speaks to managing editor Emily Everett about her story “The Cassandras,” which appears in The Common’s spring issue. In this conversation, Sloley talks about writing a story based on the fear of men women are taught to have from a young age. She also discusses her decision to include a sort of Greek chorus in the story, apocalyptic isolation in her novel Disaster’s Children, and how travel writing has changed in the age of Instagram.

Image of Emma Sloley and Issue 21 Cover.

Podcast: Emma Sloley on “The Cassandras”
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Traffic on the FDR

By OLIVE AMDUR

FDR“Places remember what people forget.”
Richard Powers 

Instead of speaking, we eat peanuts in the Holland Tunnel: the unshelled, lightly roasted kind from the bulk section of our grocery store. With one hand on the steering wheel, my father takes handfuls from the top, since all the salt falls to the bottom, and my mother digs for those. Outside, the tunnel tiles blur as our Subaru speeds beneath the river and all the buried foundations of New York. 

Traffic on the FDR
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Another Mother

By POLINA BELIMOVA

Image of children playing in a sandbox while a woman watches.

       I was waiting at the top of the escalator, as we had agreed the night before by phone. The marble palace of the metro station Gorkovskaya, named after a Russian writer whose name means “bitter,” felt solemn enough for the occasion. I was peering into the face of every woman delivered by the moving stairs, as if each was a final product on a factory line reaching its destination. I watched their wandering looks, their wrinkles, the tensions of their mouths and speculated which one was my mother. Any of them could be.  

Another Mother
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Friday Reads: August 2021

Curated by ELLY HONG

For our August round of Friday Reads, we spoke to three alums of The Common’s Literary Publishing Internship. Their recommendations delve into trauma, failure, and purposelessness, but all include notes of hope.

Friday Reads: August 2021
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