On Foot

By DIANE THIEL

 

(after a line by Edith Södergran)

On foot, I had to cross the galaxy.
I left without luggage or gear, knowing
nothing I had would be of use out there.
It felt long, but I can’t say quite how long. 
Time unfolds in space, and I soon realized
this wasn’t the average pilgrimage.
I grew thankful for the unexpected

wormholes, useful to cover some distance.
I can’t say what I needed to retrieve,
or even if, when, or where I left it.
It is a secret, kept even from me,
and frankly I’m not sure anyone will
believe this story anyway. At first,
I kept my path as far as I could from

the dark matter, though it was always there,
and I wished I could understand it more.
But once I recognized the energy
those expansions could release or create,
I knew I could take it back to the shore,
finding the swell of that particle wave
and all the light in the dark of deep space.

 

 

Diane Thiel is the author of eleven books of poetry and nonfiction. A new book of poetry, Questions from Outer Space, is forthcoming from Red Hen Press in spring 2022. Her work has appeared widely in journals such as The Hudson Review and Poetry and is reprinted in over sixty major anthologies. Thiel received her undergraduate and graduate degrees from Brown University, and she is a Regents’ Professor at the University of New Mexico. Her awards include PEN, NEA and Fulbright awards. Learn more at DianeThiel.net.

[Purchase Issue 23 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

On Foot

Related Posts

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.

Long wooden table with chairs. Plants in the background.

Four Ways of Setting the Table

CLARA CHIU
We are holding the edges of the fabric, / throwing the center into the air. / & even in dusk this cloth / billowing over our heads / makes a souvenir of home: / mother & child in snowglobe. / Yet we are warm here, beneath / this dome, & what light slips through / drapes the dining room white.