On My Problems

By LOREN GOODMAN

I’m the kind of guy who when there’s a problem, I like to get on it. I don’t like the problem to get me, I like to get it. When there’s a problem, I face it—I don’t let it faze me. You could say I like to faze it. I like to face my problems and take care of them, I don’t let them take care of me. So when there’s a problem, I’m the kind of guy who addresses it immediately. If I don’t know my problem’s address, I find it out, and I go there without warning. My problem could be sleeping—don’t matter, I go there without calling, without giving my problem any heads up. I like to catch my problems unprepared in that way. And if my problem is prepared, so much the better. I like to face my problems at their best. That way, they have no excuse. I don’t want my problems to get the better of me, and I don’t want to consider them as problematic in any way.

 

LOREN GOODMAN is the author of Famous Americans, selected by W. S. Merwin for the 2002 Yale Series of Younger Poets, Suppository Writing (2008), and New Products (2010). He is an associate professor of creative writing and English literature at Yonsei University / Underwood International College in Seoul, South Korea, and serves as the UIC Creative Writing Director.

Purchase Issue 14 here.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

On My Problems

Related Posts

coffee with a spoon

If It Wasn’t for Heroin

AMIYA MORETTA
My Umatilla grandfather / who had one leg, lived down the road, / hobbled to her heroin loyally. / That’s how / my mom and dad, neighbors whose parents / were good friends and fellow addicts, / met as kids, played together / on Frieda Street, those mornings

At night my soul leaves 

KAREN CHASE
up it goes into the stars, for / sustenance. I open / my eyes and pray— / You have returned within me, my / soul with compassion. / Modah ani lefaneka melechai / chai vekayam shehehezarta // I get out of bed, / join the revolution. 

Image of a wooden horse

Trojan Horse

M. B. MCLATCHEY
 It was a gold-seal ruse. A double-/ dealing so sublime the gods ordained / it. Settled into their stadium seats, / they wagered on their favorites. Helen, / the imposter bride, circling and circling  / the gifted horse. / Her Central Casting / lines to the shadows inside.