All posts tagged: Dispatches

Open Season

By LAURA LAING

A field under clear skies

 

Wythe County, VA, 1985

 

The rifle is heavy and hard in my arms, the butt jammed up into my right shoulder, just like Lee showed me. Peering down the nose of the gun, I can see the line of targets—coffee cans, plastic milk jugs, and Coke cans—lined up like birds on a fence. The air is cool and wild, and a breeze comes across the hollow carrying the sweet smell of hay and manure. Except for the herd of grazing Holstein cattle, little black-and-white smudges against the browning pastures, Lee and I are the only living creatures visible. Me and him and the gun with real bullets.

Open Season
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Histories

By SARAH DUNPHY-LELII

street art of an owl

Austin, Texas

I once dated a bull rider, which is very interesting, I still find. He was at the time no longer a bull rider, he had rather been one in his youth, but this lingered, as you might expect. This was in a part of the country where bull riders are not so rare as they are in the northeast, though still rare enough for people to lean forward when they hear. The only time he visited with my family we played a board game where everyone shouts out words, and would you believe a card came up “Things You Can Ride.” Even this cosmic wink could not keep together two with only the two-step in common. But the two-step itself married me to rambling dancehalls for joyful months after, a sweating Dos Equis in one hand and the other free for the taking.

Histories
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64-West & KY State Fair

By D.S. WALDMAN

Kentucky, United States

64-West
After Calvino

When you ride a long time in the private
night of your pickup cab
                                 you enter eventually 
into a desire you cannot name    a greater dark
that wants only what 

64-West & KY State Fair
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Anticipating, Zebra Finches

By JOHN KINSELLA

 

Birds on tree branch

 

Avon Valley, Western Australia

Just below, a roo doe digs into the softest
soil it can find — avoiding rocks — to make
a hollow for itself and the joey heavy in its pouch;
it lifts, digs, turns drops lifts digs turns drops.

Anticipating, Zebra Finches
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How Living Looks

By ARIEL CHU 

Image of Taipei, Taiwan.

Taipei, Taiwan, December 2020

The three of us—Frances, Jay, and I—live in this rain-slick city, concrete buildings stained with runoff. At night, the streets stretch like black pools, glossy with reflected traffic lights. We stumble around half-closed night markets with our snapped umbrellas and damp socks. Our pockets weighted with bruised change, we eat charred oyster mushrooms crusted with cumin and rose salt, waiting out the rain under fluorescent storefront awnings.

How Living Looks
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E.A. Robinson Leaves by Rail

By ABBIE KIEFER

old photo of train stationGardiner, Maine

Raw granite and brick, hip roof like a helmet. At its height, it hummed: seventeen trains daily, lumbering in along the river. I imagine E.A. here with his ticket and his trunk. With his back to the brick, listening for a whistle.

Now the depot is a cannabis dispensary. They keep records in the ticket booth, make brownies in the basement. Preservationists call this adaptive reuse.

E.A. Robinson Leaves by Rail
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July on South St. (AEAE)

By NICK MAIONE

Two trees during sunset 
Northampton, MA

I open the doors and windows and shut off the lights.
For a while I play tunes on the fiddle
shirtless in my dark house. I love doing this.
For the first time all day I am not at home.
For the first time since the last time
my body is the same size as my flesh.
The only home I have is finally mine
and there is a breeze.

July on South St. (AEAE)
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On Halloween

By VASYL LOZYNSKY

Translated by the author and JESSICA ZYCHOWICZ

Hudson, NY

I feel greedy, I have a frog in my throat because of this
expensive beer. I start to ask around, like a detective,
and immediately get some info
from the writer sitting at our table nearby,
whom I got to know just now. 
The house of Ashbery has likely mahogany doors facing
the square, probably where city hall is.  
I don’t even think about visiting without letting 
someone know first. I stop and read a few poems in a bookshop.
You won’t repeat the jokes, I say,
you’ll go around to all the apartments on Halloween 
with pumpkins, like I used to do
in my childhood, but then the main thing was trick or treat, 
not to force someone for an interview or a photograph.

On Halloween
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