Lindsay Wong’s debut memoir The Woo-Woo: How I Survived Ice Hockey, Drug Raids, Demons, and My Crazy Chinese Family(Arsenal Pulp Press, 2018) was shortlisted for the Hilary Weston Writers’ Trust Prize for Nonfiction, selected for the 2019 edition of Canada Reads (where it was defended by fashion personality Joe Zee), longlisted for the Leacock Medal for humor, and awarded the Hubert Evans Nonfiction Prize. Wong holds a BFA in creative writing from the University of British Columbia and an MFA in literary nonfiction from Columbia University. Her short stories and nonfiction have appeared in Apogee Journal, No Tokens, Ricepaper, and The Fiddlehead, and she has earned residencies from The Studios of Key West, Caldera Arts, and the Historic Joy Kogawa House, to name a few.
In this interview, long-time friends Marni Berger and Lindsay Wong span Portland, Maine and Vancouver, British Columbia via the beauty of the internet (as they have for the better part of a decade). They cover topics from sleeping on a mattress beside your grandmother during Hurricane Sandy to visiting your mother’s haunted playground in Hong Kong; and from avoiding self-promotion on social media to coming of age while writing a memoir.
“I Hope I’m Not a Moth”: Lindsay Wong on Coming of Age Through Memoir
Ross Gay is the author of the poetry collections Catalog of Unabashed Gratitude, winner of the Kingsley Tufts Award and a finalist for the National Book Award and the National Books Critics Circle Award, Bringing the Shovel Down, and Against Which. In February he published his first book of prose, The Book of Delights. At the 2019 AWP Conference in Portland, OR, The Common’s editor in chief, Jennifer Acker, and Translations Editor, Curtis Bauer, sat down with Ross over lunch to talk about his latest book, which has led him to realize his life’s work.
JA: It seems to me that your two recent books, the Catalog of Unabashed Gratitudeand The Book of Delights,werewritten in a similar vein and in a similar spirit, even just from the titles. One of the things they’re both doing is thematically trying to draw attention to joy and delight. I wonder if they were consciously part of the same project, different outlets for a similarimpulse?
Feroz Rather is a PhD student in Creative Writing at Florida State University. His work has been published in such journals as TheMillions, TheRumpus, and TheSoutheast Review, and his debut novel, The Night of Broken Glass, was released by Harper Collins India this year. Through a series of interconnected stories, in which the same characters move in and out, the novel-in-stories describes the horrors of violence in Kashmir today. Read an excerpt online here.
Via email, Neha Kirpal spoke with Rather about Kashmir, V.S. Naipaul’s A House for Mr Biswas (“Isn’t that an extraordinary achievement?”), survival, and Rather’s social role as a Kashmiri Muslim writer (“The only responsibility the writer has is to find his own true voice”).
Living Under Siege: An Interview with Feroz Rather
When popular uprisings against the Baath regime started in Syria in 2011, Odai Al Zoubi was in the United Kingdom working on a PhD thesis in Philosophy. He quickly became involved in the revolution, writing political essays to defend the right of Syrians to self-determination. But his literary passion was fiction. Since 2011 he has published tens of stories and literary essays in journals such as aljumhuriya and Romman and most recently “Silence” in The Common’s forthcoming Issue 17. “Silence” marks Al Zoubi’s first appearance in English translation.
Al Zoubi’s short stories capture feelings of transience shared by many displaced Syrians. They are often set in spaces of transition: a balcony overlooking the sea in Beirut or a mall in Dubai. There, characters caught between a past in ruins and an uncertain future have fleeting conversations, sometimes about matters that might seem trivial considering the gravity of Syria’s situation. But from the attempt to resume the banality of everyday life springs a profound existential anxiety linked to irremediable loss and a striving for survival.
Silence in the Syrian Limbo: an interview with Odai Al Zoubi
Elias Farkouh’s short story “A Man I Don’t Know” was among the most viscerally engaging pieces in The Common’sIssue 15 portfolio of Arabic fiction from Jordan. A prize-winning writer and translator who has earned accolades for short fiction collections and novels, Farkouh is interviewed by The Common interns Whitney Bruno, Avery Farmer, and Isabel Meyers, who discuss fear, translation, and formal construction with Farkouh. This is the second of two interviews conducted by the summer interns; the first was with Haifa’ Abul-Nadi.
We Write Our Own Past: 10 Questions with Elias Farkouh
The Common’s summer interns Whitney Bruno, Avery Farmer, and Isabel Meyers corresponded via email with Haifa’ Abul-Nadi, Issue 15 contributor, about Arabic and English authors, the use of details in evoking emotion, and the power of writing in translation. Abul-Nadi’s short story, “Propositions,” was featured in The Common’s Issue 15 portfolio, ‘Arabic Stories from Jordan.’
TC Interns: What writers and works are you most excited about at the moment?
Haifa’ Abul-Nadi: I am currently reading Eduardo Galeano’s “Voices of Time: A Life in Stories.”
Details, Description, and Difference: 11 Questions with Haifa’ Abul-Nadi
Helen Benedict is the author of seven novels and five works of nonfiction. A professor of journalism at Columbia University, Benedict spends her time between New York City and upstate New York, where her latest novel, Wolf Season, is set—though the characters’ lives encompass Iraq and Afghanistan, as well as the US. Wolf Seasonwas selected as a 2018 Great Group Read by the Women’s National Book Association.
As the seasons changed from fall to winter, Melody Nixon spoke with Benedict about her newest book, the “effects of war on the human heart,” Benedict’s path to social justice, and the way forward with the crisis of tolerance.
Multiple Geographies: an Interview with Helen Benedict
Courtney Kersten’s work been featured in Brevity, The Normal School, River Teeth, Hotel Amerika, DIAGRAM, The Sonora Review, Black Warrior Review, and elsewhere. In 2018, the University of Wisconsin Press published her debut memoir, Daughter in Retrograde.
Thaïs Miller met with Kersten on the campus of the University of California at Santa Cruz, where they are both pursuing PhDs in Literature with a Creative/Critical Writing Concentration. Astrology plays a large role in Kersten’s memoir, so they decided to conduct the interview after a tarot card reading.
Intuitive Nonfiction: An Interview with Courtney Kersten
Rita Bullwinkel is the author of the story collection Belly Up (A Strange Object). Her writing has been published in Tin House, Conjunctions, BOMB, Vice, NOON, and Guernica. She is a recipient of grants and fellowships from The MacDowell Colony, Brown University, Vanderbilt University, Hawthornden Castle, and The Helene Wurlitzer Foundation. She is an Editor at Large for McSweeney’s, and lives in San Francisco.
Several years ago, when Rita Bullwinkel left New York City for the West Coast, Hilary Leichter went to her bon voyage party, for which Bullwinkel had purchased and reheated 100 pork buns. They did not have any pork buns on hand for this interview, but talked quite a bit over email about what fills their bellies, both literally and literarily.
Discrete Brain Containers: An Interview with Rita Bullwinkel