All posts tagged: Italian

Operation Avalanche

By ROSSELLA MILONE

Translated from the Italian by LAURA MASINI and LINDA WORRELL 

“I am living permanently in my dream, 
from which I make brief forays into reality.”

—Ingmar Bergman, The Magic Lantern: An Autobiography

 

  1.  

Erminia danced the Charleston. My friend Gianluca told me how, almost every evening, his grandmother would pause on the threshold of the French doors that opened onto the terrace and trace out the steps. Her arms swinging, legs twisting, a toe to the front, then to the back, a heel swiveling to the side, a toe to the front again. She confined her movements to the doorway as though she wanted to go unnoticed, and yet somehow she demanded the attention of anyone nearby. Whenever I was at Gianluca’s, I always saw her singing softly to herself.

Operation Avalanche
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Poems in Translation from Bestia di gioia

Poetry by MARIANGELA GUALTIERI
Translated from the Italian by OLIVIA E. SEARS

Poems appear in both Italian and English.

 

TRANSLATOR’S NOTE

Mariangela Gualtieri is a poet of great incandescence. Whether confronting existential questions or questions of daily existence, she writes with searing honesty and compassion. A veteran of the theater, Gualtieri’s voice can be thunderous and oracular, but also painfully intimate.

Poems in Translation from Bestia di gioia
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Omnipresence: A Poetry and Imagine Installation in Castiglione del Terziere, Italy

Poems by LORIS JACOPO BOLLINI and art by ANDREA POGGIPOLLINI, with an introduction by MARTHA COOLEY

 

Andrea Poggipollini is a Bologna-based artist who works in multiple media.  His summer-long installation “Omnipresence” in the medieval borgo (walled village) of Castiglione del Terziere in Lunigiana, Tuscany, featured sculpture, photography, video, and excerpts from poems by Loris Jacopo Bononi. Bononi, an Italian writer (earlier in his career, a doctor), writes poetry and prose; his work has been lauded by Pier Paolo Pasolini, among others. He is the author of Trilogia (Diario postumo, Miserere dei, and Il poeta muore), Libri e Destini, and other texts.

Viewers walked through the borgo to encounter Poggipollini’s and Bononi’s collaboration in unexpected places: on placards on walls high and low, windows, on the ground, and in cellars. Among the installation’s elements were life-sized sculptures of human figures in black or white—kneeling, standing, sitting—which materialized as unexpectedly as phantoms on stone walls, in a bell-tower, and on the balcony of the village’s once-grandest house, now abandoned. In a passageway between two buildings were photographs by Poggipollini of sculptures he’d previously made, to which Bononi’s poetry-excerpts are an implicit response.

The photographs of Poggipollini’s work are echoes of echoes of echoes, one might say.

Omnipresence: A Poetry and Imagine Installation in Castiglione del Terziere, Italy
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