By TINA CANE
Ray Liotta was listening to tapes of Henry Hill talking through a mouth
full of potato chips to the FBI around the same time I high and hunched
over a bowl of Lucky Charms was listening to my father lecture me on sex
Curated by SOFIA BELIMOVA
Things are finally warming up here in Western Mass: old snow banks are melting and fuzzy buds are popping up on the trees. Our spring issue—which features a portfolio of stunning fiction from Kuwait, apocalyptic poetry, a Ramadan romance, and a story about a dog in a Texas barrio—launches in just a few short weeks. If you’re wondering where these writers get their inspiration, look no further than this round of Friday Reads.
New poems by our contributors TINA CANE, MYRONN HARDY, and MARC VINCENZ
Table of Contents:
Tina Cane
—You Are Now Interacting as Yourself
—The Subject Line
Myronn Hardy
—Among Asters
Marc Vincenz
—An Empire in the Ground
You Are Now Interacting As Yourself
By TINA CANE
Sheila had IHOP delivered to her apartment in El Alto, NY
on January 6th so she could kick back self-proclaimed terrorist
that she is and eat pancakes while watching white supremacists
storm the Capital on T.V. a coup
MATT MILLER interviews TINA CANE
Tina Cane’s Year of the Murder Hornet was published in spring of 2022 by Veliz Books. In this interview, Tina discusses her new collection with Matt Miller. Threaded through by grit and lyrical beauty, the book weaves survival, strength, and hope out of this pitched moment of American politics, the Coronavirus pandemic, and popular culture.
By TINA CANE
I woke up in a panic this morning thinking what if my love language
is granola? I found a quiz online but was too chicken to take it having had
Russian bots once read my face and place me alongside a woman holding a mango
or some bullshit in Gaugin
nothing exotic for me today
Wednesday, May 4, 2022
5:00 pm
Via Zoom
On May 4th at 5pm EDT, join The Common for the virtual celebration of Issue 23! We welcome fiction writer Fernando Flores, poet Tina Cane, Palestinian writer Eyad Barghuthy, and Arabic translator Nashwa Gowanlock for brief readings and conversation about place, culture, and translation. The event will be hosted by the magazine’s editor in chief Jennifer Acker, in partnership with the Amherst College Creative Writing Center and Arts at Amherst Initiative.
Please Register in Advance for the Virtual Event. After registering, you will receive a confirmation email containing information about joining the event.
Enjoy these new poems by our contributors.
Table of Contents:
Tina Cane
–Essay on States
–Regime
Benjamin S. Grossberg
–Worshipping the Ancestors
Iain Twiddy
–Crack Willow
By TINA CANE
Lucid dreaming is not a job but a steady occupation
I do not have a big dream they are only little dreams
and right now I cannot think of one
My father read the paper while my mother scrubbed the floor
I pay a woman $100 a week to help me keep my house clean
New work by our contributors TINA CANE and TOM PAINE
WORK by Tina Cane
I can’t stop horses as much as you can’t stop horses,”
“Other Horses,” Michael Klein
What is work but a horse is a beast to be one with the broom I bristle
toil tool and trade work is a poem I made is my children is family a broken
At The Common we’re welcoming spring with new poetry by our contributors. (Be sure to listen to the audio link to Megan Fernandes’ “White People Always Want to Tell Me…,” read by the author.)
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