The Crew Change

By DON SHARE

 

Hobo, Bono, boneheap.
I mutilate dandelions in the sun,
rattle my rake like a saber

When Michelle-my-neighbor,
over compost, opines
that Aqualung’s a classic;

“At least I think so. U2?”
Does she mean: me, too?
In the foul rag and compost pile

Of my creaky abdomen I rustle
all the leaves of my locomotive breath
to agree because anything you say,

Michelle, must be so!  We live
in a time of need. Your hair always
looks brushed. Our conversations

Are abrupt. And yet…
The children grow and play over time
like centipedes behind our sofas;

The tools I never use seem
delightful on their pegs in the shed,
like the hopes I sharpened

Once beside the gleaming rails
as a schoolboy, a hiker, a little hobo never
far from someone’s back yard trampoline.

 

Don Share is Senior Editor of Poetry. His books include Squandermania (Salt Publishing), Union (Zoo Press), Seneca in English (Penguin Classics), and most recently a new book of poems, Wishbone (Black Sparrow) and Bunting’s Persia (Flood Editions, a 2012 Guardian Book of the Year.

Click here to purchase Issue 01

The Crew Change

Related Posts

Image of an orange cupped in a hand

May 2023 Poetry Feature: New Poems by Our Contributors

TIMOTHY DONNELLY
Thorn-blossom! Tender thing, prone to solitude / like yours truly, don’t get it twisted if I reach out my hand— / it isn’t to pluck you, who are my beacon down this path, but a gesture / of acknowledgment common among my kind. / When the lukewarm breezes nod off

Red Lanterns in Night Sky

On Wariness

MYRONN HARDY
There is rhythm on the pavement. / There is rhythm in small / apartment rooms. / I’m over slicing tomatoes. / I’m over drinking wine. / I’m performing as not to be / deformed     as not / to show what I shouldn’t. / I don’t want to feel everything.

Image of two blank canvases on a white wall

Nina and Frida Enter the Chat

FELICE BELLE
these biddies with their deadbolt backs/ take naps / while i construct/ canvas from corset cast / art does not wait until you are well / what they did not understand—the training was classical / chopin, motherfuckers/ carry on like she some backwater bluesy / least common denominator