Today I Do Not Love My Country

By INGRID DE KOK

 

South Africa, May 2008

Today I do not love my country.
It is venal, it is cruel.
Lies are open sewers in the street. 
Threats scarify the walls.

Tomorrow I may defend my land 
when others X-ray the evidence:
feral shadows, short sharp knives.
I may argue our grievous inheritance.

On Wednesday I may let the winded stars
fall into my lap, breathe air’s golden ghee, 
smell the sea’s salt cellar, run my fingers
along the downy arm of the morning.

I may on Thursday read of a hurt child
given refuge and tended by neighbours,
sing with others the famous forgiving man
who has forgotten who were enemies, who friends.

But today, today, I cannot love my country.
It staggers in the dark, lurches in a ditch.
A curdled mob drives people into pens, 
brands them like cattle,
only holds a stranger’s hand
to press it into fire,
strings firecrackers through a child,
burns stores and shacks, burns.

 

 

Ingrid de Kok has published five volumes of poetry, most recently Seasonal Fires and Other Signs.

Click here to purchase Issue 04

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Today I Do Not Love My Country

Related Posts

Cover of Dear Mothership

August Poetry Feature

ELLEN HINSEY
Never forget: the Tyrant time reached others before you—they too weathered the deluge of its tempest-strewn path. For Tyranny always imagines it will write history. But, time and again, it is Justice that will arise, then bow down to write—the history of Tyranny’s demise, instead.

Headshot and Issue 31 cover

Podcast: Lauren Delapenha on “Supermarketing”

LAUREN DELAPENHA
Lauren Delapenha speaks to Emily Everett about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her process, her time at the Disquiet Literary Program in Lisbon, and balancing both teaching and writing.

July 2026 Poetry Feature

AMIYA MORETTA
Magnolia tree in the window, hammock, / a loop in hours, a cradle of light we swing inside, / naming what we’re afraid of. / In this version, he is from halfway around the world. / Some net caught the curve of us in the dark, / gathered what it could, his hand, my pulse.