Untitled

By GIAMPIERO NERI

 

Of the few walks we took together, my father and I, I recall well the one to the Torretta. Having loaded our backpacks with food, which consisted of bread and bresaola, we took off at a good clip.

The Torretta, a medieval tower probably for observation, was tumbledown then, and has now vanished.

Until the Forties it still stood atop one of the mountains soaring above the plain of Erba.

We were walking in silence, I was used to the silences of my father, who had lost the good habit of addressing me except to give orders.

That was a fairly common custom around us.

We finally arrived at the Torretta and right at its base took out our food.

My father cut the bread with a knife but, while slicing a lemon in half, deeply injured his fingertip.

He spoke a loud Ahi! and tried to make things nice and better. He attended a few minutes to his wound as the blood was exiting profusely but then, once the flow had ceased, we resumed eating.

After that unexpected interruption the silence came back. It would last til our return home.

 

Translated by Martha Cooley

 

In 2012, when Giampiero Neri’s latest poetry collection, Il professor Fumagalli e altre figure, was published, he received the Carducci Prize for lifetime achievement. 

[Purchase your copy of Issue 05 here]

Untitled

Related Posts

Image of the book cover of The Morning Line, featuring a man wearing a hat.

September 2021 Poetry Feature: David Lehman’s The Morning Line

DAVID LEHMAN
You can pick horses on the basis of their names / and gloat when Justify wins racing’s Triple Crown / or when, in 1975, crowd favorite Ruffian, “queen / of the century,” goes undefeated until she breaks down / in a match race with Derby winner Foolish Pleasure.

Bogota

Translation: Poems by María Paz Guerrero

MARÍA PAZ GUERRERO
Time fills with holes / and puts the scarce body / into one of them // It covers its skeleton of wind / so the current / doesn’t rub against its prickly outside // The air would split into smithereens / if it were touched by the spines // It doesn’t seek to become cuts on the cheek