Red Light Roses

By JILL MCDONOUGH

Josey picks me up at work in a car we bought
together, car she dug out of frozen slush for hours.
She picks me up and gives me roses. Valentine’s Day.
Usually we just turn up the heat, one day each winter
we don’t need PolarFleece and UGGs inside our house:
75 degrees, old movies, tenderloin, champagne.
Roses on the end table, then on the dresser
so I can see them when I fall asleep, again when I
wake up. From now on I’m buying red light roses,
maybe a whole bucket full some time I’m feeling flush.
They make the bucket guy so happy, it feels so good
to rose drive-thru. The red light roses, like scratch tickets,
help the local economy, do hardly any harm. Red light
roses smell like roses. Red light roses come with baby’s
breath. Red light roses come to you, make you happy you
hit a red light, make you wish you had more time just
joshing with the guy. Red light roses last for days.
They last for weeks if you don’t mind them dead.

 

Jill McDonough’s books of poems include Habeas CorpusWhere You Live, and Reaper. The recipient of three Pushcart Prizes and fellowships from the Lannan Foundation, the National Endowment for the Arts, the New York Public Library, the Fine Arts Work Center, and Stanford, her work appears in The Threepenny Review andBest American Poetry. She teaches in the MFA program at UMass Boston and directs 24PearlStreet, the Fine Arts Work Center online. Her fifth poetry collection, Here All Night, is forthcoming from Alice James Books.

[Purchase Issue 16 here]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Red Light Roses

Related Posts

Hitting a Wall and Making a Door: A Conversation between Phillis Levin and Diane Mehta

DIANE MEHTA and PHILLIS LEVIN
This conversation took place over the course of weeks—over daily phone calls and long emails, meals when they were in the same place, and a weekend in the Connecticut countryside. The poets share what they draw from each other’s work, and the work of others, exploring the pleasures of language, geometric movement, and formal constraint.

Anna Malihot and Olena Jenning's headshots

August 2025 Poetry Feature: Anna Malihon, translated by Olena Jennings

ANNA MALIHON
The girl with a bullet in her stomach / runs across the highway to the forest / runs without saying goodbye / through the news, the noble mold of lofty speeches / through history, geography, / curfew, a day, a century / She is so young that the wind carries / her over the long boulevard between bridges

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports