Three Sunrises to Ouranopolis

By NICHOLAS SAMARAS

 

I rode a slow bus out of blackness.
Five a.m. in northern Greece.
The language, blurry and mumbled.
I paid pastel money for a bus
ticket to Ouranopolis whose name
means “City of Heaven.”

The port window, chilled against
my leaning head. The darker black
of a mountain range, the same side.
The bus journey, a pilgrimage
silently into myself. Light thinning
by my sleepy passage. How I love
to live in this deepest blueness.
The pale sun rose for moments,
only to be lowered again
by the ascending mountain-slope.
A second sunrise two miles further.
Then, the higher, final crags of stone
back into darkness. A third
sunrise finally firming the world
into morning. All I could do was
cover my worn youth and settle
into my new adulthood, traveling
alone to find my place, some
answers, rising slowly into light.

 

Nicholas Samaras is from Patmos, Greece (“Island of the Apocalypse”) and, at the time of the military dictatorship, ended up living in Asia Minor, England, Wales, Brussels, Switzerland, Italy, Austria, Germany, Yugoslavia, Jerusalem, and thirteen states in America, and subsequently writes from a place of permanent exile. Author of Hands of the Saddlemaker and American Psalm, World Psalm, he is currently writing a manuscript on his time as a runaway.

[Purchase Issue 22 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Three Sunrises to Ouranopolis

Related Posts

Year of the Murder Hornet, by Tina Cane

October 2025 Poetry Feature: From DEAR DIANE: LETTERS FOR A REVOLUTIONARY

TINA CANE
I take that back Diane surely you conceived / of it all before any of it came to pass / mother daughter sister of the revolution / you had a knack for choosing the ground / for a potential battle you didn’t want to stumble / bloody out of Central Park to try to find help / there where the money is

beach

“During the Drought,” “Sestina, Mount Mitchill,” “Dragonflies”

LIZA KATZ DUNCAN
”The earth, as blue and green / as a child’s drawing of the earth— // is this what disaster looks like? My love, think / of the dragonflies, each migratory trip / spanning generations. Imagine // that kind of faith: to leave a place behind / knowing a part of you will find its way back, / instinct outweighing desire.

whale sculpture on white background

September 2025 Poetry Feature: Earth Water Fire Poems, a Conversation

LISA ASAGI
"We and the whales, / and everyone else, / sleep and wake in bodies / that have a bit of everything / that has ever lived. Forests, oceans, / horse shoe crabs, horses, / orange trees in countless of glasses of juice, / lichen that once grew / on the cliffsides of our ancestors, / deepseated rhizomes, and stars.