Andromeda Came to the Silver River

By ANGIE MACRI

as a girl approaches a mirror,
not yet a queen, and maybe never,
seeing in the water
no man’s voice to answer,
to say you are better
than another.
Over her shoulder, her mother
formed a constellation,
a knee, a hand, and breast perfect
as stars. The girl stared in the moving water
at dreams of a woman’s figure:
god’s follower or king’s mother
or a judge become prophet in a war.
What wonder when her mother sang verses
of the woman who used a hammer
to put a tent spike through the enemy’s temple
after filling him with milk
when he was weary: turn in, my lord, turn
in to me; fear
not. And she went softly.
The girl watched her mother reflected behind her,
long before and also after
the monster was sent to find her.
She leaned closer to the river
to better see the queen behind her,
her breath a galaxy on the river’s glass surface,
awake, awake, awake, awake.

Angie Macri is the author of Underwater Panther, winner of the Cowles Poetry Book Prize, and Fear Nothing of the Future or the Past. Her recent work appears in The Journal, Quiddity, and The Southern Review. An Arkansas Arts Council fellow, she lives in Hot Springs. Find her online at angiemacri.wordpress.com.

[Purchase Issue 17 here]

Andromeda Came to the Silver River

Related Posts

Image of an orange cupped in a hand

May 2023 Poetry Feature: New Poems by Our Contributors

TIMOTHY DONNELLY
Thorn-blossom! Tender thing, prone to solitude / like yours truly, don’t get it twisted if I reach out my hand— / it isn’t to pluck you, who are my beacon down this path, but a gesture / of acknowledgment common among my kind. / When the lukewarm breezes nod off

Red Lanterns in Night Sky

On Wariness

MYRONN HARDY
There is rhythm on the pavement. / There is rhythm in small / apartment rooms. / I’m over slicing tomatoes. / I’m over drinking wine. / I’m performing as not to be / deformed     as not / to show what I shouldn’t. / I don’t want to feel everything.

Image of two blank canvases on a white wall

Nina and Frida Enter the Chat

FELICE BELLE
these biddies with their deadbolt backs/ take naps / while i construct/ canvas from corset cast / art does not wait until you are well / what they did not understand—the training was classical / chopin, motherfuckers/ carry on like she some backwater bluesy / least common denominator