Isabel Meyers

Friday Reads: November 2020

Curated by ISABEL MEYERS

In the November installment of Friday Reads, our Issue 20 contributors reflect on the pedagogies of teaching over Zoom, the engines of colonialism, and the process of breaking down cultural divides. As the weather gets colder, curl up with one of these recommendations, and make sure to pick up your copy of Issue 20 today.

 

Recommendations: Wide Sargasso Sea by Jean Rhys; Poems in the Manner Of… by David Lehman; The Cartographer Tries to Map a Way to Zion by Kei Miller; Reimagining Liberation: How Black Women Transformed Citizenship in the French Empire by Annette K. Joseph-Gabriel

 

Friday Reads: November 2020
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The Home Front

By SILVIA SPRING

 

As soon as I saw Katie, I wanted to live there. Concrete steps led up to the front door of the house, past a flower bush, fallen petals caught like fish in a net of branches. She opened the door and said, with her cartoon heigh-ho enthusiasm, “Well, you must be our Emily,” and led me in past the living room, down the stairs to meet James, her boyfriend. I had found the room through a handwritten ad tacked up in the University of London student union, and they had invited me over right away.

James was tall, long-limbed, with dark hair he had to brush away from his eyes before shaking my hand. Katie busied herself cleaning, washing a frying pan whose nonstick surface had burnt off the middle and then rinsing the plates under a swan-necked faucet. She used huge squeezes of soap for each piece and put the dishes onto the drying rack with suds still sliding off. A candle burned in a glass jar by the sink, sending out its perfume like a small, hot bouquet.

The Home Front
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The Common Statement

By JENNIFER ACKER

 

In 1969, my grandfather gave the keynote address to the Master Brewers Association of America. He was not a brewer himself, but he had worked thirty years as a consultant to the industry, and by this time he had provided advice to breweries in every state of America and seventy countries.

The title of his speech was “How to Make Beer That Sells—with What You’ve Got!” He focused first on the importance of quality and outlined the industry standards: 1) Beer must be “clean and pleasing in flavor” as well as 2) “pleasing in appearance”; and 3) “it should not vary in flavor or appearance from day to day.” While beer drinkers today, myself included, wouldn’t agree with his definition of “pleasing” as “a complete absence of distinctive flavor components,” I suppose he can be forgiven for being at the mercy of the era’s bland American palate. As an industrial engineer, his main focus was on cleanliness, efficiency, and reproducibility; he did not seek to be a tastemaker, nor did he encourage this in his clients.

The Common Statement
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The Year of the Birth of Alberto Caeiro

from Pessoa: A Biography

 By RICHARD ZENITH 

 

The following chapter from Pessoa: A Biography, forthcoming from Norton/Liveright, tells the story of how Alberto Caeiro, Fernando Pessoa’s first major heteronym, came into existence. The other full-fledged heteronyms, Álvaro de Campos and Ricardo Reis, would emerge three months later. (The heteronyms, Pessoa claimed, were not mere pseudonyms, since they thought and felt and wrote differently from their creator.) Although he had published some critical essays and a passage from The Book of Disquiet, Pessoa was still virtually unknown as a poet. Literature, moreover, was not Pessoa’s only interest. Throughout his adult life, he wrote prolifically about philosophy, religion, psychology, and politics. 

The story of Caeiro is preceded by a brief sketch of the political climate in Europe before World War Iespecially in Portugal, where, less than four years earlier, a revolution had toppled a muchdiscredited monarchy, replacing it with a tumultuous republic. 

For this publication in The Common, I have excluded most of the notes of the book version (bibliographical information, mainly) while adding other notes to clarify references to people and events mentioned in earlier chapters. 

The Year of the Birth of Alberto Caeiro
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Brazilian Poets in Translation

Image saying "writing from the Lusosphere"

As part of this fall’s Lusosphere portfolio, we’re publishing accompanying work online. This translation feature highlights the work of two Brazilian poets, Eliane Marques and Leonardo Tonus. Work appears in both the original Portuguese and in English.

 

“A body on the sand” by LEONARDO TONUS, translated by CAROLYNE WRIGHT

“Federal Intervention” by ELIANE MARQUES, translated by TIFFANY HIGGINS

Brazilian Poets in Translation
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October 2020 Poetry Feature: JinJin Xu

Poems by JINJIN XU

Image by Xu YuanYan

Image by Xu YuanYan

Table of Contents

  • Mo Gao Grottoes, 1994
  • HongKong, 2019
  • Shanghai, 2005
  • baidu.com, 2019
  •  [                        ], 2018
  • Shanghai, [          ]
  •  [                   ], [          ]

October 2020 Poetry Feature: JinJin Xu
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Blue Hydrangeas

By ESMERALDA CABRAL

Lusosphere decorative graphic

These days, we tend our gardens, my sister and I, and we remember. Her yard is dotted with plants from our homeland – a pear tree, a plum tree, and couve, or collard greens, for making caldo verde, Portuguese kale soup. She’s planted blue hydrangeas around her property, instead of a fence. Just like back home.

Blue Hydrangeas
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The Common Magazine Announces Literary Editorial Fellowship

(Amherst, Mass. October 6, 2020)— The Common, the award-winning literary journal based at Amherst College, has announced its Literary Editorial Fellowship funded in part by generous support from alumni donors and from the Whiting Foundation, which is providing a $20,000 matching grant for two years in recognition of the magazine’s secure and important foothold in literary publishing. In 2019, The Common was the top print award winner of the Whiting Literary Magazine Prizes.

The Literary Editorial Fellow was created with two goals in mind: to strengthen the bridge between The Common’s existing Literary Publishing Internship (LPI) program for undergraduates and the professional publishing world; and to provide invaluable, real-world experience for an Amherst graduate, transferable to any job in trade or academic publishing, communications, or nonprofit management. The postgraduate position will also increase the capacity of The Common’s mentorship, publishing, and programming operations with particular focus on mentoring current student interns as they critically evaluate submissions; write, edit and proofread prose and poetry; create multimedia web features; write and design publicity materials; develop, organize and staff innovative events on campus and across the country; and research magazine production and distribution.

The Common Magazine Announces Literary Editorial Fellowship
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Amplifying Black Voices on TC Online IV

This is the fourth installment of an online series highlighting work by Black authors published in The Common. To read  The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.

 

Amplifying Black Voices on TC Online IV
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