Reviews

Friday Reads: February 2022

Curated by ELLY HONG

This round of Friday Reads features recommendations from three of our online contributors: Carolyn Oliver, author of “Magic Mile;” Rajosik Mitra, author of “Cockroach;” and Jennifer Shyue, translator of “The Eclipse” and author of “Mother’s Tongue.” Their recommendations include two stunning poetry collections and a graphic novel classic.

Recommendations: Pigeon by Karen Solie, The Sandman by Neil Gaiman, and The Science of Departures by Adalber Salas Hernández, translated by Robin Myers

Friday Reads: February 2022
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Friday Reads: January 2022

Curated by ELLY HONG

This round of Friday Reads features recommendations from two of our online contributors: Jane McCafferty, author of “These Winters in Pittsburgh are Making Us Strong,” and Emma Ferguson, translator of poetry by Esther Ramón. The memoirs they recommend provide a window into the lives of two dynamic and extraordinary women.

Recommendations: I AM I AM I AM: Seventeen Brushes with Death by Maggie O’Farrell and What You Have Heard Is True by Carolyn Forché

Friday Reads: January 2022
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Review: What Isn’t Remembered by Kristina Gorcheva-Newberry

Story collection by KRISTINA GORCHEVA-NEWBERRY

Review by JULIA LICHTBLAU

Cover Page for What Isn't Remembered, by Kristina Gorcheva-Newberry. The book cover has a scene of a lighthouse near the water, with a blocky and colorful art style.

There are two Russias in Kristina Gorcheva-Newberry’s passionate and accomplished debut short-story collection, What Isn’t Remembered, winner of the 2021 Raz/Shumaker Prairie Schooner Book Prize. The geographical country, where many of the stories take place, and the mental state of Russianness, which characters carry with them in the diaspora. There is also America, an alluring, often disappointing exile—and there are Americans, mostly well-meaning, who struggle to live with their mercurial Russian lovers, spouses, friends, or children, whose Russianness comprises the psychic ramifications of political and historical traumas going back multiple generations—World War II, Soviet rule, the chaotic break-up of the USSR, or the Armenian genocide, to name a few.

Review: What Isn’t Remembered by Kristina Gorcheva-Newberry
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Friday Reads: December 2021

Curated by ELLY HONG

For our December round of Friday Reads, we spoke to two of our contributors from Issue 22. Read on for recommendations that strike a unique balance between comedy and tragedy.

Recommendations: Interior Chinatown by Charles Yu, The Mirror & the Light by Hilary Mantel, and Dark Lies the Island by Kevin Barry

Friday Reads: December 2021
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Film Review: El Planeta

Review by HANNAH GERSEN 
Movie directed by AMALIA ULMAN

Image of a film still from El Planeta: black and white photo of one a woman choking another woman while wearing winter coats.

In Amalia Ulman’s debut feature, El Planeta, which she wrote and directed, Ulman and her real-life mother (Ale Ulman) play a mother and a daughter awaiting eviction. Ulman’s character, Leo (short for Leonor), has returned home after the death of her father, whose sporadic alimony payments barely supported her mother when he was alive. Leo is jobless and so is her mother, María. The two women spend most of the film in their narrow galley kitchen where the sunlight is abundant, and they aren’t tempted to waste money on electric lighting. Their refrigerator is empty, save for the tiny slips of paper María places in the freezer, each one bearing the handwritten name of an enemy. Atop the refrigerator are multiple glasses of water, which have something to do with María’s witchcraft—a practice that seems more like a distracting hobby than a coherent belief system. Leo sews bizarre yet fashionable clothing by hand, having sold her sewing machine for cash. They drink coffee, cook pasta, and, when they are really hungry, dress up in designer clothing and run up large bills in restaurants and stores, promising to pay later or claiming that Leo’s boyfriend is a local politician who will pick up the tab. They live in Gijón, a small city on Spain’s northern coast, a place hit hard by the global recession, with shuttered shops and empty tourist districts. It’s no wonder these two women are more at home in their delusions of grandeur. 

Film Review: El Planeta
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Friday Reads: November 2021

Curated by ELLY HONG

 

This month’s round of Friday Reads features recommendations that span place and time: from interwar Greece to eighteenth-century London to a small-holding in present day Ireland. Read on to see what our Issue 22 contributors have been enjoying.

Recommendations: The Third Wedding by Costas Taktsis, The Question of Bruno by Aleksandar Hemon, Please by Christopher Meredith, Trivia: Or the Art of Walking the Streets of London by John Gay, and Savage Gods by Paul Kingsnorth

Friday Reads: November 2021
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Review: All Morning the Crows by Meg Kearney

Book by MEG KEARNEY

Review by HOWARD LEVY

All Morning the Crows
There are books of poems that in their creation seem, for the poet, to rise out of a sheaf like an oasis, something unknown, unmapped, to be discovered in all its vivifying magic. Then there are books of poems that the poet always seemed to know the map to, where a central insight or trope allowed the book to unscroll itself in the poet’s tongue and brain and heart.

Review: All Morning the Crows by Meg Kearney
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Friday Reads: October 2021

Curated by ELLY HONG

For this October round of Friday Reads, we spoke with two members of our volunteer reading team. Their recommendations feature two portrayals of California that dig beneath the sunshine and glamor often associated with the state.

Recommendations: When the Stars Go Dark by Paula McLain and Sex and Rage by Eve Babitz

Friday Reads: October 2021
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Film Review: Through the Night

Movie directed by LOIRA LIMBAL 

Review by HANNAH GERSEN

Movie poster

I didn’t have much awareness of overnight childcare centers until I watched Through the Night, a documentary about a married couple, Deloris and Patrick Hogan, who run Dee’s Tots, a 24-hour daycare in New Rochelle, New York. Sadly, I don’t think my ignorance is unusual, and is likely shared by the many members of Congress who have consistently declined to fund public childcare, even after the pandemic revealed how necessary it is to working parents. Although not overtly political, Through the Night is quietly radical as it shines a light on the work of caregiving. It’s highly skilled labor that is essential to the health of children and families, yet childcare workers are often overworked and underpaid. To the extent that the government has childcare policies, they are designed to fit a model of a nuclear family with one stay-at-home parent. Director Loira Limbal shows the reality: many parents (usually mothers) are raising children on their own, and their jobs do not offer the pay, benefits, or flexibility to accommodate child-rearing.  

Film Review: Through the Night
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Review: Insomnia by John Kinsella

Book by JOHN KINSELLA
Review by NICHOLAS BIRNS

Cover of Insomnia by John Kinsella

Insomnia, the latest of the many volumes of poetry John Kinsella has published, is one of his strongest collections of the past decade. Kinsella is an Australian poet, now in his late fifties, who is at once one of the most widely recognized figures in contemporary poetry yet still too little known in some literary quarters. He is abundantly and buoyantly prolific, both on his own and with collaborators of many backgrounds and affiliations. He is at once committed to experimental, avant-garde styles and to a decolonizing, anti-racist, in his words ‘vegan anarchist’ politics. There is a third commitment that nestles aside these two, although less trumpeted: a participation in a lyric tradition and a lyric kind of ‘truth,’ the manifold, irreducible, unformalizable sort of truth Goethe (who would have enjoyed the poems in Insomnia placed in Tübingen) imagined when he spoke of Dichtung und Wahrheit (poetry and truth).

Review: Insomnia by John Kinsella
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