Studio

Streets of Goma

By ALLYN GAESTEL

The Streets of Goma 5

Years ago, I wrote that seekers of all stripes—journalists, philosophers, scientists, mystics—are chasing the same elusive thing: something like truth, understanding, a fully integrated perspective, awakeness, untangling. We just ask questions in different contexts, modalities, and microcosms.

Streets of Goma
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Series of Thought

By BETSEY GARAND

Images by Michael Mazur and Betsey Garand

Three weeks ago, I had an intimate and frenzied encounter with a wild bobcat as it was chasing my chickens. We locked eyes for a moment, and I quickly glanced down at its large, impressive paws. Tawny, speckled fur contrasted starkly with razor-sharp black claws. It ran off to the edge of the woods, first stopping to glance back at me before disappearing into the thicket. I began to think of a series of intaglio prints that would capture the essence of this feral fury.

Series of Thought
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Drawing from Experience

By FRED LYNCH

Scene StealingScene Stealing, ink on paper, 15 x 11.5”

The painter wanders and loiters contentedly from place to place, always on the lookout for some brilliant butterfly of a picture which can be caught and set up and carried safely home.
– Winston Churchill, 1948, Painting as a Pastime

Drawing from Experience
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Under Current: Tidal Pull

By AMANDA VALDEZ 

Suck Face Sunrise

Where do your shapes come from? This is a common question I encounter.

I dislodge shapes stored in my body through the act of drawing. These shapes originate from a vast matrix of experiences. There are typically three categories of overt reference: art and archeological objects I seek out through research and travel; landscape; and direct physical experiences (floating on a lake, running in the woods, dance, aging, sex).

Under Current: Tidal Pull
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Rico Gatson: Selections

By RICO GATSON

 

Rico Gatson Elizabeth

Introduction by David E. Little

What was required was a new story, a new history told through the lens of our struggle.

—Ta-Nehisi Coates

They say there’s nothing harder than hitting a fastball. In America, clichés on the difficulty of sports abound. But how to describe the challenges of art?

Rico Gatson: Selections
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