I Had Seven Hankerchiefs

 
Translated by DENIS HIRSON

 

 
I had seven handkerchiefs
Monday
Tuesday
Wednesday
Thursday
Friday
Saturday
Sunday

 

 
My mother put them away
in a drawer
between her own
and those of my father
mine were embroidered
with animals for each day
and week
and night
and the night after
one colour per day
Monday red Tuesday green Wednesday blue
Thursday black Friday yellow Saturday grey
and Sunday golden
you have your handkerchief
my mother explained to me
knotted at all four corners to cover your head
one knot in the corner
for you to remember
and then you can cry
and sometimes blow your nose
and when you leave
you can wave us goodbye

 

 
 
Sylvie Durbec’s recent publications include Marseille: éclats et quartiers (Marseille, fragments and quarters), which won the prestigious Jean Follain Prize of the City of Saint-Lô; Sanpatri (Nohomeland); Soutine; and L’idiot(e) devant la peinture (Idiot/I look at paintings). 

 

 
Denis Hirson was brought up in South Africa and lives just outside Paris, France; he teaches at the École Polytechnique. The latest of his seven books is the novel The Dancing and the Death on Lemon Street. He is also the editor of the 2014 anthology In the Heat of Shadows, South African poetry 1996–2013.

 

 
 
I Had Seven Hankerchiefs

Related Posts

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.

a photo of raindrops on blue window glass

Portfolio from China: Poetry Feature II

YUN QIN WANG 
June rain draws a cross on the glass.  / Alcohol evaporates.  / If I come back to you,  / I can write. My time in China  / is an unending funeral.  / Nobody cried. The notebook is wet.