I think of the winter years ago when I taught an evening class there made up of a group of nontraditional students studying social work and counseling, many of them driven to do so by the addiction or poverty or general hard times that affected, in one way or another, everyone. I’d leave the southern Willamette Valley in the dark and rain and cross the Calapooya Mountains towards the small city of Roseburg. That stretch of interstate still held remnants from the slower travel of the past where people stopped more often, sat down for meals, and had their cars serviced in the meantime. One exit still operated an all night diner and lounge, gas station and motor lodge, decked out in the original neon glaring through the night like brightly colored clouds; another exit twenty miles away with the same amenities along with roadside carnival rides, stood completely abandoned, as if at some point in 1963, everyone just walked away, not even bothering to flip the faded sign on the door from Open to Closed.
Nicaragua Canal Project
Artist: BEN SHATTUCK
When I first heard of the Nicaraguan Canal Project, I thought of the 19th-century artists Martin Johnson Heade and Norton Bush. It was winter, and I was driving through Wisconsin, early evening, listening to the news. The canal, the reporter said, would be three times as long and twice as wide as the Panama Canal. It would fit extra-large container ships. It might stimulate Nicaragua’s economy. Environmental groups were protesting potentially large-scale disaster.
The Straw Dog Craft Workshop: Getting Published Locally

Come see The Common’s Managing Editor Diana Babineau in conversation with editors of three other premier Massachusetts literary magazines. The panelists will present their journals’ identities: who they are, what they are looking for, and the process of getting published by them.
The Straw Dog Writers’ Guild––the panel’s hosting organization––is a collaborative open to writers, readers, booksellers, and editors alike, providing a vibrant network of resources to the Western Massachusetts writing community.
September 2015 Poetry Feature
This month, we’re featuring two authors with new poems from Guatemala and Greece.
Review: There’s Something I Want You to Do
Book by CHARLES BAXTER
Reviewed by
A new Charles Baxter book is always cause for celebration. As a writer, I always learn a thing or two about craft while being provoked, moved, entertained, and unsettled. Baxter’s latest collection of stories, There’s Something I Want You To Do, serves his usual range of social commentary, humor, wisdom, and good yarn in multiple structures.
Baxter begins this one with an epigraph from Primo Levi’s The Reawakening about the Ten Commandments, also known as The Decalogue:
“…Nobody is born with a decalogue already formed… everyone builds his own… everybody’s moral universe, suitably interpreted, comes to be identified with the sum of his former experiences, and so represents an abridged form of his biography.”
Baxter has called this ten-story collection his decalogue, and it feels like his own deeply personal digest of experience.
Contributors in Conversation: Valerie Duff and Leslie McGrath
In this episode of The Common’s Contributors in Conversation podcast, Issue 07 contributors Valerie Duff and Leslie McGrath read and discuss their poems “Folk Magic” and “In Praise of Prey.”
The Common at The Mead

The Common welcomes parents, students, and the general public for a cocktail hour of poetry, essays, and fiction from The Common‘s special 10th issue. Join us in the Rotherwas Room in the Mead Art Museum at Amherst College. Wine & cheese will follow. Join the Facebook event here.
This event is free and open to the public.
Boston Book Festival

The BBF is New England’s largest annual literary event, boasting a street fair, live music, writing workshops, and other interactive events for both adults and children. Find out more about this year’s event at www.bostonbookfest.org.
Bannerman Island
There is something in me that loves an island. I live on one (Queens, New York, on Long Island, across the East River from the isle of Manhattan). I’m attracted to all kinds—those buried by volcanic eruptions; adrift in a blue void endless as the cosmos; locus of nearly extinct languages; and even the fictitious Island of Lost Souls ruled by the mad scientist Dr. Moreau.
Notes from a Box
CRISCO IN A BLOCK
I’m not really sure why it’s all so illegible now. The ink fades to nothing midway through and is gasping for breath where it’s visible at all. I have a vague recollection of the page living on one side of the fridge for a time (reminding us of its existence)—so perhaps the sunlight hit it just so. Or perhaps the pen itself was too weak, not up to the task.