Nicaragua Canal Project

Artist: BEN SHATTUCK

When I first heard of the Nicaraguan Canal Project, I thought of the 19th-century artists Martin Johnson Heade and Norton Bush. It was winter, and I was driving through Wisconsin, early evening, listening to the news. The canal, the reporter said, would be three times as long and twice as wide as the Panama Canal. It would fit extra-large container ships. It might stimulate Nicaragua’s economy. Environmental groups were protesting potentially large-scale disaster.

Nicaragua Canal Project
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The Straw Dog Craft Workshop: Getting Published Locally

Event Date: 
Saturday, November 7, 2015 – 10:30am12:00pm
Location: 
Lilly Library, Florence, MA

 

 

Come see The Common’s Managing Editor Diana Babineau in conversation with editors of three other premier Massachusetts literary magazines. The panelists will present their journals’ identities: who they are, what they are looking for, and the process of getting published by them.

The Straw Dog Writers’ Guild––the panel’s hosting organization––is a collaborative open to writers, readers, booksellers, and editors alike, providing a vibrant network of resources to the Western Massachusetts writing community.

The Straw Dog Craft Workshop: Getting Published Locally
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Review: There’s Something I Want You to Do

Book by CHARLES BAXTER
Reviewed by SUSAN TACENT

There's Something I Want You To DoA new Charles Baxter book is always cause for celebration. As a writer, I always learn a thing or two about craft while being provoked, moved, entertained, and unsettled. Baxter’s latest collection of stories, There’s Something I Want You To Do, serves his usual range of social commentary, humor, wisdom, and good yarn in multiple structures.

Baxter begins this one with an epigraph from Primo Levi’s The Reawakening about the Ten Commandments, also known as The Decalogue:

“…Nobody is born with a decalogue already formed… everyone builds his own… everybody’s moral universe, suitably interpreted, comes to be identified with the sum of his former experiences, and so represents an abridged form of his biography.”

Baxter has called this ten-story collection his decalogue, and it feels like his own deeply personal digest of experience.

Review: There’s Something I Want You to Do
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The Common at The Mead

Event Date: 
Saturday, November 7, 2015 – 5:00pm6:00pm
Location: 
Amherst College, Mead Art Museum, Rotherwas Room

 

 

The Common welcomes parents, students, and the general public for a cocktail hour of poetry, essays, and fiction from The Common‘s special 10th issue. Join us in the Rotherwas Room in the Mead Art Museum at Amherst College. Wine & cheese will follow. Join the Facebook event here.

This event is free and open to the public.

The Common at The Mead
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Boston Book Festival

Event Date: 
Saturday, October 24, 2015 – 10:00am6:00pm
Location: 
Copley Square, Boston, MA

 

The Common will be attending the Boston Book Festival in October! Drop by Booth 18 to meet our editors and staff, pick up submission guidelines, get a copy of our most recent issue, and spin our Wheel of Chance to win a prize!

The BBF is New England’s largest annual literary event, boasting a street fair, live music, writing workshops, and other interactive events for both adults and children. Find out more about this year’s event at www.bostonbookfest.org.

Boston Book Festival
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Bannerman Island

By MARIA TERRONE 

There is something in me that loves an island. I live on one (Queens, New York, on Long Island, across the East River from the isle of Manhattan). I’m attracted to all kinds—those buried by volcanic eruptions; adrift in a blue void endless as the cosmos; locus of nearly extinct languages; and even the fictitious Island of Lost Souls ruled by the mad scientist Dr. Moreau.

Bannerman Island
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Notes from a Box

CRISCO IN A BLOCK

I’m not really sure why it’s all so illegible now. The ink fades to nothing midway through and is gasping for breath where it’s visible at all. I have a vague recollection of the page living on one side of the fridge for a time (reminding us of its existence)—so perhaps the sunlight hit it just so. Or perhaps the pen itself was too weak, not up to the task.

Notes from a Box
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The Return

By AVIYA KUSHER

The Grammar of God Cover

Here, deep in the thickness of northern Germany, dogs travel glamorously, in their own spacious compartments. Apart from the dogs, who are large and meticulously groomed, there are only a few passengers on the local train heading north from Hamburg. I see a man with black hair, carrying a leather folder bulging with carbon paper—a traveling salesman, perhaps. There are two old ladies in pastel cardigans, their cheeks wrinkled and stern, and three tanned backpackers, loudly sharing Muesli and what looks like bottled carrot juice. Other than that, there is just my blue-eyed mother, nervously staring out the sealed window.

The Return
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