By L.S. KLATT
I would kill for the feeling of television.
I felt it once. I felt it holster light.
I felt it clutch me in the dark and treble
my house. All the houses. I felt the firefight
By L.S. KLATT
I would kill for the feeling of television.
I felt it once. I felt it holster light.
I felt it clutch me in the dark and treble
my house. All the houses. I felt the firefight
I think of all the ways
the women in my family have died,
the slow disease of genetics and childbirth
here in the curve of my cheekbone.
By EMMA SLOLEY
The cemetery where she meets him after work is both vertiginous and claustrophobic. The graves are crowded closely together, like huddled children cowering from punishment, then there is a short stretch of lawn tilting to the cliff’s edge, and beyond that a sickening void she imagines rushing out to meet her. Why would it occur to someone to build a cemetery on a steep escarpment above the Pacific Ocean? The weed-hemmed tombstones are cracked and bleached. No one has been buried here for ages; they’re all in the fashionable new cemetery out near the airport. The paths are strewn with shards of glass, the torn petals of sad plastic flowers, scraps of trash, and shriveled cigarette butts, and the whole thing might have an air of tawdriness if not for that view: blinding blue sky sliced horizontally by the cliff edge, the wild ocean below. The audacious, swaggering drama of it.
By FATIMA ZOHRA RGHIOUI
Translated by NASHWA GOWANLOCK
Petty Thefts
I’m frightened of everything. I walk around with my abnormal body. I haven’t learned to accept it yet, this body that bulges in every direction. Now I have two round lumps jutting out of my chest, and shrubbery growing in my armpits and between my legs. And then there’s the fear that’s plunged itself deep inside me.
Two Men and a Truck are here to haul our
piano away to a nice woman’s
house, who’s agreed to move it to own
it, so her children can learn to play. An hour
early, two men in the truck pass a pipe
while on my open porch I read
the sports page. I see ribbons of smoke peel
from the open truck window. The ripe
I am not pleased. Paint is dripping down my hoof and the colors are muddled together. I shouldn’t complain. I agreed to it, of course.
Hafiz is putting together a zoo. And he asked me to be the zebra.
“You’re a very good donkey, habibi,” he told me three days ago, “but the border is closed, and everyone says prices for using the smuggling tunnels have gone up. I can’t afford the zebra in Damascus, and the one in Cairo is twice that price.” He gestured wildly, scattering my oats. What a waste.
I don’t know much about borders, but I would do anything for Hafiz. He is more than a father to me.
To see the unseeable, measure
its shadow. It takes eight telescopes
on six mountains and
four continents
ten days.
I’d started a strength training class ($25 a pop)
after my mom’s hands no longer worked, after her arms
hung weak by her sides and she didn’t have the power
to pull up her pants. For two years I’d thought
She is on her knees in the garden. The sun, as of yesterday, an hour early. There are no dead snails in the saucers of beer, though she has finally seen the pale-yellow cabbage butterfly. Searching the half-eaten mustards and turnips, she looks for the caterpillars and their eggs as if she were inspecting a child for lice. Extracts the first, hiding along the stem of the most mature start. Studying its curl on her finger for a breath, perhaps peering its translucence to judge it female, before she presses. Leaf by leaf plant by plant until her fingertips are dirty with the mess.
I wonder if anyone ever asked Mary
if she wanted a baby? If she was fine
with skipping the sex and going straight