All posts tagged: In House

Trailer Days

The town was segregated, not by laws but by economics. The lines were almost too stark. The northeast side of town was the “black side of town” while the southwest side of town, the farthest away from northeast, was the well-to-do, upper-middle-class “nice neighborhood.” The truly well off lived outside city limits in large homes built along cul-de-sacs in the middle of hardwood forests. I lived in the giant trailer park north of town, just across the railroad tracks from the NE housing projects.

It had nearly 400 trailers, a hamlet of tin cans. The trailers were singlewides, mostly from the 60s and 70s, and placed close together with small patches of grass between. They were set on concrete pads and anchored with “tornado straps,” metal bands bolted into the ground. It was a cheap place to live. A guy I worked with at Domino’s Pizza had lived there and sold his trailer to me and my friend Jon for $2,000. Lot rent was $100 a month, including water and trash.

Trailer Days
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Period Rooms

 By JULIA LICHTBLAU

 

dining room

i12-02097

It was a long, elaborate, symmetrical Adam room, with two bays of windows opening into Green Park. The light, streaming in from the west on the afternoon when I began to paint there, was fresh green from the young trees outside.

Brideshead Revisited by Evelyn Waugh

 

The serene, neoclassical “Dining Room from Lansdowne House,” designed by Robert Adam in New York’s Metropolitan Museum of Art eerily matches Evelyn Waugh’s description down to the green light and the house’s fate: two wings demolished in 1930 to make way for a road, and the rest converted to an eating club in London’s Berkeley Square. In Brideshead Revisited, contractors are about to pull down Marchmain House and replace it with a block of flats. The Landsdowne Dining Room, in its symmetry and restraint, exudes confidence in the rightness and durability of inherited privilege.

Period Rooms
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After a Year in Baltimore

By MARIAN CROTTY

 Howard Street

1.

I keep wondering what is strange and what is merely unfamiliar—what is truly inexplicable and what I simply don’t yet understand. For instance, for months, airships from the Aberdeen Proving Ground have floated on the edge of the skyline—two fish-shaped blimps invisibly tethered to the ground, wobbling the way a balloon would travel if it were tied to a post and caught up in the wind. They belong to a military surveillance project being developed by Raytheon to scan the Eastern Seaboard for cruise missiles. For months, I told almost everyone I met about the airships, trying to shock someone, but they almost always shrugged. “I saw those,” they said. “I thought they were weather balloons.”

After a Year in Baltimore
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On Hearing the News of the Shooting at Umpqua Community College

I think of the winter years ago when I taught an evening class there made up of a group of nontraditional students studying social work and counseling, many of them driven to do so by the addiction or poverty or general hard times that affected, in one way or another, everyone. I’d leave the southern Willamette Valley in the dark and rain and cross the Calapooya Mountains towards the small city of Roseburg. That stretch of interstate still held remnants from the slower travel of the past where people stopped more often, sat down for meals, and had their cars serviced in the meantime. One exit still operated an all night diner and lounge, gas station and motor lodge, decked out in the original neon glaring through the night like brightly colored clouds; another exit twenty miles away with the same amenities along with roadside carnival rides, stood completely abandoned, as if at some point in 1963, everyone just walked away, not even bothering to flip the faded sign on the door from Open to Closed.

On Hearing the News of the Shooting at Umpqua Community College
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Notes from a Box

CRISCO IN A BLOCK

I’m not really sure why it’s all so illegible now. The ink fades to nothing midway through and is gasping for breath where it’s visible at all. I have a vague recollection of the page living on one side of the fridge for a time (reminding us of its existence)—so perhaps the sunlight hit it just so. Or perhaps the pen itself was too weak, not up to the task.

Notes from a Box
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A Boat Ride in Colombia

 By MARIAN CROTTY

 

It’s a small boat with no ladder and so we board by wading into the water, grabbing hold of the edge and pulling ourselves up. Passengers help each other heave themselves forward; a couple older women get lifted like children. Unlike the boat that brought us here, there is no manifest, no recording of passport numbers, no printed tickets—but there is space—kind of—and life jackets, and the men who work on this boat have agreed to take us back to the main port for a reasonable price. The other boats—the one that brought us here and the larger, shinier ones that look more like the ones that brought us here—are full, and it is three thirty, a half hour past the time we have been told all of the boats will be gone.

A Boat Ride in Colombia
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August Reads: Trespassing in Leechburg

By MARIAN CROTTY

For the month of August we are revisiting some of our favorite content from the past year. Publication of new work will resume on September 1.

cloudy road

We drive on a gray day in October, a scenic four-hour drive from my new home in Baltimore to my old home in Leechburg, a small steel town in the rolling hills of Western Pennsylvania, where I lived from ages 8 through 15—the longest stretch of childhood I spent in one location. Though it’s a place I’ve often gone back to in my fiction, I haven’t returned in person in over 15 years. The trip is reconnaissance and romance: scene gathering for a novel and a chance to explore my memory with M.

August Reads: Trespassing in Leechburg
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August Reads: I Believe New Yorkers

By MELODY NIXON

For the month of August we are revisiting some of our favorite content from the past year. Publication of new work will resume on September 1.
skyline from subway

“I believe New Yorkers. Whether they’ve ever questioned the dream in which they live, I wouldn’t know, because I wont ever dare ask that question.”

– Dylan Thomas

In my first months in New York City I rode in the back of taxicabs through Central Park thinking, “When will this sink in? When will it feel like I know where I am.” I didn’t think I was dreaming – rather, I felt the whole city was dreaming with me inside of it, a poppy-field illusion, a drug trip induced by hidden valves releasing an experimental hallucinogen. The city needed to pinch itself awake, collectively, and climb out of the hollow to find out what was really going on.

“I stopped at Lexington Avenue,” wrote Joan Didion of her arrival in the city, “and bought a peach and stood on the corner eating it and knew that I had come out of the West and reached the mirage.” You arrive, you reach the mirage, and you wait for it to clear.

August Reads: I Believe New Yorkers
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August Reads: On Naming

By MELODY NIXON

For the month of August we are revisiting some of our favorite content from the past year. Publication of new work will resume September 1.

Filthy McNasty's Sign

To exist humanly, is to name the world, to change it. ~Paulo Freire

When I was 19 my full-time job was bartending a pub called Filthy McNasty’s. McNasty’s sat on Rose Street in Edinburgh, Scotland, one of the roughest streets in the city center at the time. Fights punctuated each hour of the night and later, after I’d moved on up from McNasty’s, a friend was stabbed near there in a skinhead-like attack. Indoors, customers called me “Garth” because of my wild, unkempt hair, like Garth in Wayne’s World. I didn’t wear makeup and favored baggy jeans and t-shirts; I guess this made me infuriatingly gender ambiguous. My fellow bartenders, with their straightened, bleached-blonde hair, penciled-on brows and figure-hugging polyester tolerated Garth to the best of their abilities, aside from one woman, whose actual name I don’t remember, but whose tan outfits—tight pants and jacket—and extremely thick accent conjured the name “Tanner” in my mind. This word, Tanner, also captured the sound of her voice. She clearly despised me/Garth. She would sashay away from us when the bar wasn’t full enough to force us close together. We could barely understand one another’s accents so the physical distance was a welcome relief.

August Reads: On Naming
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Moussa v. Meursault: Algerian Grudge Match Over “The Stranger”

By JULIA LICHTBLAU

mersault book

The gruesome Algerian War ended in 1962 with France walking away empty-handed from a territory that it had held for 130 years and considered not just a colony but an integral part of itself. The refusal of the pieds-noirs, the French colonists in Algeria, to concede meaningful rights to Arab citizens had made a peaceful independence impossible. The war, which featured ideological and tactical use of terrorism and torture on both sides, now a hallmark of intractable conflicts between the West and the Islamic world, brought down multiple French governments and the Fourth Republic before Charles de Gaulle accepted the inevitable. It also brought a flood of immigrants, harkis, Algerians who had fought on the French side; and many more who hadn’t, as France entered les trente glorieuses, its 30-year period of post-war prosperity. During this same period, Algeria’s economy, weighed down by state dominance, corruption, and dependence on hydrocarbons, failed to produce opportunity for its youthful, fast-growing population. Some five million people of Algerian descent live in France today, many in the crime-ridden housing projects of French suburbs, where integration is almost impossible.

Moussa v. Meursault: Algerian Grudge Match Over “The Stranger”
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