It felt foreordained to open this short story collection by the Norwegian writer Gunnhild Øyehaug and find IKEA on the first page, as in: “…park the car outside IKEA.” IKEA, now based in the Netherlands, originated in Sweden, but to many foreigners, it personifies Scandinavia—pleasant and unthreatening. “Blah, how boring,” was my first thought. Then, trying to stave off disappointment at being welcomed by the all-too-familiar global brand, I told myself, “Well, I guess IKEA did start somewhere nearby. Perhaps, Scandinavians have a particular attachment to clean lines.” (Nervous laughter.) I know that stereotyping is a form of blindness; in practice, my desire for novelty trips me up and leads to overly broad generalizations. Like a tourist, I had to remind myself to check my expectations at the airport.
Nikolai Sheremetev, the protagonist of British novelist’s Michael Honig’s second book, is a Moscow nurse. For six years, he’s been looking after a private patient suffering from dementia. The patient’s condition is deteriorating. Prior to his illness, Vladimir P. had been a president of Russia. After his confusion grew and he could no longer hold his own in public, he was quietly replaced by a member of his team and sent into retirement to a private estate near Moscow. As Vladimir’s mental acuity deteriorated, Sheremetev became the single point of contact between him and the outside world. Sheremetev manages his daily schedule, his medications, his rare outings.
Book by TEFFI (Translated from Russian by ROBERT and ELIZABETH CHANDLER, ANNE MARIE JACKSON, and IRINA STEINBERG) Reviewed by OLGA ZILBERBOURG
Teffi, nom de plume of Nadezhda Lokhvitskaya, was born in 1872 into a prominent Russian family. Following in the footsteps of her older sister Maria—poet Mirra Lokhvitskaya—Teffi published poetry and prose from the age of 29. She soon rose to fame by practicing a unique brand of self-deprecating humor and topical social satire. In her 1907 hit one-act play The Woman Question, subtitled A Fantasy, Teffi imagined a world in which a women’s revolution against men achieves a full role reversal. Women come to occupy the prominent political, military, academic, professional, and bureaucratic roles, while men are subjugated to the childcare and household management tasks. Though the play’s ending largely dismisses this scenario and trivializes the feminist cause, through humor, the piece makes the point that bad behavior—infidelity, sexual harassment, excessive drinking, pettiness—is a function of social status rather than of biological sex.
Olivia ZhengReview: Memories: From Moscow to the Black Sea
Book by RICARDO PIGLIA Translated from Spanish by SERGIO WAISMAN Reviewed by OLGA ZILBERBOURG
The year is 1972. Tony Durán, a Puerto Rican-born adventurer and professional gambler from New Jersey, is found dead in his hotel room soon after arriving in a small town in Buenos Aires Province with a leather bag full of dollars. Dark-skinned, he spoke Spanish with a Caribbean accent. Rumors of his ménage à trois with Ada and Sofía Belladona, twin daughters of a prominent local landowner, have scandalized the town. Inspector Croce investigates.
So begins Argentine writer Ricardo Piglia’s fourth novel, Target in the Night, as detective fiction. Who killed Tony Durán and why? A gambling plot, the love triangle? Could one of the Belladona sisters have soured on the tripartite arrangement? My next guess: Racism? Durán is “a mulatto who shows up in a place where the last black people had disappeared—or dispersed until they blended completely into the landscape—fifty years earlier.”