| We said a prayer for the rats and fleas as the plague abated. We laid a wreath for Justinian. The streets of London were no longer smoke-choked, just smoking, and Rome started to smell more like Rome. At least whoever remembered “before” said as much. In the last days of the plague, the days that followed the days that had been called “last,” we made a sport of showing up at restaurants where we had never been beautiful enough to get a table, just to see if people still ate at tables, or if the food tasted like anything. We appeared at the homes of our favorite people to see if they were around, too, or if they had changed, or if they could be unchanged. We moved slowly through the halls of near-empty museums, each of us indistinguishable from the art, to be touched only with the eyes from a safe Kantian distance. As the plague’s grip on our lives slackened, we slackened too, like a body pretending it can will itself back into sleep. We prepared for travel, arranged our documents, scheduled shots. We packed—clothes, books—and packed—the spider plant with all its apostles, anything that might spoil in our absence—and kept on packing. It didn’t matter that we had no idea where we were going. This time we would be more careful to leave none of ourselves behind. |
All posts tagged: Poetry
Heavenly
After years without a single dream
of my dead son, he walks into
the living room where I am standing
at the window and holds me tightly
Daily We Carry War in Our Pockets
—after “Environment for Three Overweight Parakeets”
You thought you were seeking beauty
in that plain, little box. Fixed your face
to the aperture. Inside, a chaos
of swimming through stones, doll arms cocked
A Monad
So simple is the soul
a house finch can haunt its innermost
ever, not for an hour, not for an era, but a
different kind of forever, as in, as in,
as in the dream of an infinite lever, & a lamb
lifts up a mountain by stepping on the end
of an endless branch propped beneath
the stone—. That dream—. Of the long ago
then, a sort of once-upon-a-
time, when the pear sang out the finch’s tune
& desire began again its how-to-
see, how-to-hear, mystery burden so hard
to bear—. Then God was a word
for the perfection that no one could name—.
Entering the Garden
A new year of trees, and in the yard
the rosemary is trying to live again,
its spines broken, darkened from the frost.
I don’t know whether to water it
or leave the plant to fortune.
Sometimes my love can drown a thing.
October 2026 Poetry Feature: David Barber and David Lehman
This month, we’re pleased to bring you poems by contributors DAVID BARBER and DAVID LEHMAN.
Table of Contents
- From David Barber:
- “Raining Fish”
- “USERNAME”
- “Hell Box”
- From David Lehman:
- “When I Lived”
- “La Bella Desnuda”

David Barber (left), David Lehman (right). Photos courtesy of the authors.
Two Poems by Dalia Taha, translated by Sara Elkamel
By DALIA TAHA
Translated from the Arabic by SARA ELKAMEL

Ramallah Landscape, photograph by Dalia Taha
Ramallah, West Bank, Palestine
Enter Zakaria Mohammed’s Balcony
On Zakaria Mohammed’s balcony,”
we notice just how close
the settlement is.
Then we ignore it and drown
in conversation, its lights
swelling before us
the way a car’s headlights
flood your whole existence
before its body of steel crashes into you.
September 2026 Poetry Feature
This month, we’re pleased to bring you poems by BRIONNE JANAE, GRAY DAVIDSON CARROLL, and WILBERT TURNER III.
Table of Contents
- Brionne Janae, “You Got to Walk That Lonesome Valley”
- Gray Davidson Carroll, “Aubade, or Ars Poetica as Men”
- Wilbert Turner III, “Desperado Despair”

From left to right: Brionne Janae, Gray Davidson Carroll, and Wilbert Turner III.
YOU GOT TO WALK THAT LONESOME VALLEY
By Brionne Janae
~ after Mississippi John Hurt
and how did you go through it?
and did you keep? did you keep your mind?
you got to walk it for yourself
and on returning what state did you find it in?
as in what state were you in?
were you where you left yourself?
and who was left?
was anyone left?
and how sure were you that you could reach them?
August Poetry Feature
New poems from MARCUS WICKER and ELLEN HINSEY
Table of Contents:
- Selections from Dear Mothership by Marcus Wicker
- Selections from Anatomy of the Eclipse by Ellen Hinsey
What if an alien landed in Atlanta in January 2020 and tried to document everything it saw for two years? Not just the big stuff like the pandemic, the protests, the Capitol riot, but also the unfiltered everyday occurrences: binge-watching reality t.v. and some retail therapy, a young girl quieting her wailing sister in the middle of an airport Popeye’s with a kiss to her invisibly injured elbow. That’s the premise of Dear Mothership, the new poetry collection from Marcus Wicker (Ecco, September 8). Part Afrofuturist odyssey, part cultural chronicle, the collection weaves the ATLien emissary’s observations together as it examines what is alien in our world, alongside poems that chart upheavals both personal and political.
Podcast: Lauren Delapenha on “Supermarketing”
Transcript: Lauren Delapenha Podcast

LAUREN DELAPENHA speaks to EMILY EVERETT about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her process and revision methods, her time at the Disquiet Literary Program in Lisbon, and how balancing both teaching and writing challenges her.
Lauren is a Jamaican poet and English teacher. She earned her master’s in creative writing from the University of Oxford, and her work has received an Oxbelly Fellowship, a Helen Zell and Jamaica Poet Laureate’s Young Writers Prize for Poetry, a Grindstone International Poetry Prize, and two Pushcart nominations. She currently lives and teaches in Connecticut.
Read Lauren’s poems in The Common at thecommononline.org/tag/Lauren-Delapenha.
Learn more about her work at laurendelapenha.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.
Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese’s Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.

