All posts tagged: review

Birds of Passage: A Review

Birds of Passage Movie Poster

Movie directed by CIRO GUERRA and CRISTINA GALLEGO

Review by HANNAH GERSEN

 

From its joyous opening dance sequence to its melancholy ending, Birds of Passage (Pájaros de verano) is unlike any movie you have seen about illegal drug trafficking. It’s a gangster movie that downplays violence, looks closely at attempts at peacemaking, and is centered on the fate of a mother and a daughter. Set in Colombia between the late 1960s and early 1980s, the film is told from the perspective of a Wayúu family who live in the arid, northern region of the country and become significant exporters of marijuana to the U.S. Their success in the drug trade brings wealth, but it also pulls them into a world of violence and greed that engulfs and divides their family and their community.

Whitney BrunoBirds of Passage: A Review
Read more...

Lost, Found, and Betrayed: A Review of Shirkers

Movie directed by SANDI TAN

Review by HANNAH GERSEN

 

In 1992, at age 19, novelist Sandi Tan wrote and starred in Shirkers, a feature-length road movie shot on the streets of Singapore. The title was inspired by Tan’s idea that in life, there were people who were neither movers nor shakers, but shirkers—those who evade responsibility and duty, escaping the confines of society. It starred Tan as S., a murderer and kidnapper on a mysterious mission to save children. One of Tan’s points of inspiration was J.D. Salinger’s The Catcher in the Rye. The plot didn’t matter as much as the mood, which Tan cultivated through carefully chosen locations, props, costumes, and music. Tan hired a friend to compose a soundtrack on his electric guitar, and hand-made many of her props, including a colorful board game that S. uses to plot her kidnappings. S.’s costume was a pink sailor shirt and blue knee-length shorts; she carried an old-fashioned camera on a strap, as well as a leather suitcase. “When I was eighteen,” Tan explains, “I thought you found freedom by building worlds inside your head.”

Isabel MeyersLost, Found, and Betrayed: A Review of Shirkers
Read more...

Review: Oranges

Book by GARY ELDON PETER
Reviewed by JIMMY NEWBORG

The cover of "Oranges" by gary eldon peter

When I think of what it was like to grow up as a gay boy, I remember a particular kind of longing, a confusion over what to do with, or what might happen to, my heart. Most of us lived our earliest years without role models who think and love as we do, whether we looked to our own families or to TV and movies. As we came of age, for many of us, that confusion lingered but led to surprising, triumphant love once overcome. Gary Eldon Peter’s debut short story collection, Oranges, deftly portrays the life of its protagonist, Michael Dolin, as he navigates this trajectory from a childhood in Mason City, Iowa to adulthood in Minneapolis. 

Avery FarmerReview: Oranges
Read more...

Review: The Distance Home

Book by PAULA SAUNDERS

Reviewed by TESS CALLAHANthe distance home cover

Willa Cather once said, “Most of the basic material a writer works with is acquired before the age of fifteen.” I thought of those words while reading Paula Saunders’s cinematic debut novel, The Distance Home, which she has said is based on her fractured 1960s South Dakota childhood. Saunders draws from a deep well. 

The Distance Home joins such recent novels as Adam Haslett’s Imagine Me Gone, Joyce Carol Oates’ A Book of American Martyrs, Ann Patchett’s Commonwealth and Elizabeth Strout’s My Name is Lucy Barton that explore family dysfunction. Saunders asks us to consider the violent underside of American drivenness and its impact on a family’s most vulnerable members.  

DoostiReview: The Distance Home
Read more...

Review: Alpha: Abidjan to Paris

Graphic novel written by BESSORA and illustrated by BARROUX. Translated from the French by SARAH ARDIZZONE.

Reviewed by JULIA LICHTBLAU

Abidjan to Paris
In 1994, the last year my husband and I lived in Paris, a Senegalese woman named Delphine cleaned our apartment, often bringing her baby girl. At some point, she asked us to help her resolve her immigration problems. The baby was a French citizen; Delphine had come to France to work for French expats returning from Dakar and been let go some years ago.

Emily EverettReview: Alpha: Abidjan to Paris
Read more...

Review: Wonder Valley

Book by IVY POCHODA

Reviewed by LISA ALEXANDER and JULIA LICHTBLAU

In Ivy Pochoda’s latest novel, Wonder Valley, we find ourselves amidst a scruffy, largely invisible subset of Los Angelenos: drifters, con artists, criminals, quack healers, the homeless. The few in their orbit who have money or a measure of success are in danger of losing their souls. Everyone is close to the edge, all the time. Yearning. Longing. Trying to get someplace. Anywhere but here.

DoostiReview: Wonder Valley
Read more...

Review: Empire of Glass

Book by KAITLIN SOLIMINE

Reviewed by JENNIFER CODY EPSTEIN

 

Empire of Glass

 

Early on in Empire of Glass, the novel’s American narrator offers fair warning that what follows will not be straightforward: “So much of what I’m telling you is already reimagined, reconfigured so convex angles are made concave, mirrors reflecting other mirrors reflecting an uncertain, setting sun.” That includes her name, Lao K (or “Familiar K”), a nickname her Chinese homestay family gave to replace “a long, complicated name we could never pronounce.”

Emma CroweReview: Empire of Glass
Read more...

Review: Knots

Book by GUNNHILD ØYEHAUG (TRANSLATED BY KARI DICKSON)

Reviewed by OLGA ZILBERBOURG
"Knots" book cover

It felt foreordained to open this short story collection by the Norwegian writer Gunnhild Øyehaug and find IKEA on the first page, as in: “…park the car outside IKEA.” IKEA, now based in the Netherlands, originated in Sweden, but to many foreigners, it personifies Scandinavia—pleasant and unthreatening. “Blah, how boring,” was my first thought. Then, trying to stave off disappointment at being welcomed by the all-too-familiar global brand, I told myself, “Well, I guess IKEA did start somewhere nearby. Perhaps, Scandinavians have a particular attachment to clean lines.” (Nervous laughter.) I know that stereotyping is a form of blindness; in practice, my desire for novelty trips me up and leads to overly broad generalizations. Like a tourist, I had to remind myself to check my expectations at the airport.

Isabel MeyersReview: Knots
Read more...

Review: Outside Is the Ocean

Book by MATTHEW LANSBURGH

Reviewed by JULIA LICHTBLAU

Outside Is the Ocean book cover

Outside Is the Ocean, Matthew Lansburgh’s debut short story collection, is a particularly complete and satisfying example of the linked genre. The stories reveal a long, novelistic arc, while the broken chronology captures the fragmented personality of the central character, Heike, and the chaos she sows.

A gentile, post-war German immigrant to California, Heike speaks and thinks in a German-inflected English that’s full of mangled idioms—as in the opening line of the book: “Al gives me zero.” Or: “She thinks the world will give her French toast on a silver platter.” Heike disappoints and infuriates everyone, but is perversely optimistic, which gives many of the stories a certain hilarity, even the saddest ones. Humor enables Heike’s gay son, Stewart, a literature professor, and her adopted, one-armed Russian daughter, Galina, to survive her boundless narcissism and neediness.

Flavia MartinezReview: Outside Is the Ocean
Read more...

Review: The Story of the Lost Child

Book by ELENA FERRANTE
Reviewed by REBECCA CHACE

The Story of the Lost Child

Elena Ferrante’s Neapolitan Quartet is complete with The Story of the Lost Child, making it possible to see the whole structure, which reveals itself in layers like Naples itself, where former cityscapes are buried by time, political violence, and natural disasters. Reading this final volume, it’s easy to forget that the first book, My Brilliant Friend, frames the entire work as a mystery—aside from the much-discussed secrecy of Ferrante, who uses a pen name, allows no photographs, and, with few exceptions, will only be interviewed via email or telephone. With this volume, Ferrante reminds us again that a question of authorship is embedded into the narrative—who is telling this story? Lila or Elena?

Olivia ZhengReview: The Story of the Lost Child
Read more...