Scarpia (Aside)

By RICARDO PAU-LLOSA 

Tosca

I heard those ripened, muted swoons, although
that was no kiss—a dagger sunk into my chest.
What use authority if it cannot impose
a hidden will? The songbird, let her muse
the painter in his cavern, his mettle at the test,
while she flickers here for me, beyond sorrow
and contrition. We are all caught between tides,
like urchins sprung or crabs denied a nook
from ravenous waves. She’ll paint him a tale of flight
on a ship of words. I offer the blight
and bliss of wronged conviction, what the good book
prescribes for elevation. I am the night that hides
nothing, confesses the hunt, enables nature
purchase in the soul. To love is to endure.

 

[Purchase Issue 15 here.]

Ricardo Pau-Llosa’s eighth book of poems will be released later this year by his longtime publisher, Carnegie Mellon University Press. His poems have appeared recently, or will appear soon, in Ambit, The American Journal of Poetry, The American Poetry Review, Birmingham Poetry Review, Blackbird, Boston Review, Burnside Review, Colorado Review, december, The Hudson Review, Island, New England Review, Salamander, Stand, and Virginia Quarterly Review, among other publications. He also writes art criticism.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Scarpia (Aside)

Related Posts

Image of a a large yellow Weeping Willow tree against a bright blue sky.

Selections from Lettres en forêt urbain

BERTRAND LAVERDURE
Your saffron-colored sticks flatter my circular daydreams. The road is a second-hand dealer of wood who doesn’t mark their prices. A colony of bags, spare with its conclusions. You are the lookout post of a dead stream. Calm like a descent, breath held [...]

Glass: Five Sonnets

MONIKA CASSEL
In ’87 I see guardsmen walk their AK-47s / on the platforms. The trains slow down but never stop. I think, / my mother was born in such a different Germany, but this is true for everyone / —so why can’t I stop looking?