The Other One

By NADINE BOTHA

I could find a million nuances for how to improve me and influence my life,
as though, if I could just identify that one—like The One, the love—
I would know, it would know and that would be that.

But considering how in almost 29 years I have not grasped one,
indeed come closer to wondering if it is The One,
I can safely deduce that the search itself is what has come to complete me.

After all, as another I says, one can mostly rely on being this happy
—no more or less—for the rest of adulthood.
We grow into stasis.

That’s why adulthood is so forgettable.
It’s the longest period of the same mood one has in my whole life.
And now one realises that during prep time, adolescence, I had no idea.

I still don’t always like to get my feet wet on the beach.
And sometimes I can handle leaky toilets better than other times.
It just gets as good as it can.

I can be grateful for that.
I can be grateful for getting more than I thought I might
have or could try for, and didn’t.

In that sense, I’ve failed to dream big enough.
In another sense I’ve surmounted just enough to get here.
So, where then?

 

 

Nadine Botha was born in 1979 in Pietermaritzburg, South Africa, and holds an honours degree in theory of art from Rhodes University.

Click here to purchase Issue 04

The Other One

Related Posts

Leila Chatti

My Sentimental Afternoon

LEILA CHATTI
Around me, the stubborn trees. Here / I was sad and not sad, I looked up / at a caravan of clouds. Will you ever / speak to me again, beyond / my nightly resurrections? My desire / displaces, is displaced. / The sun unrolls black shadows / which halve me. I stand.

picture of dog laying on the ground, taken by bfishadow in flickr

Call and Response

TREY MOODY
My grandmother likes to tell me dogs / understand everything you say, they just can’t / say anything back. We’re eating spaghetti / while I visit from far away. My grandmother / just turned ninety-four and tells me dogs / understand everything you say. / They just can’t say anything back.