Sarah Wu

Invited

By SEAN BERNARD

The city overwhelmed us. We’d moved to it from a smaller part of the country, fairly rural, though it’s true that even rural parts of the country had by that time much in common with urban centers. In our small town there was a Walmart and high-speed internet and a bar that boasted craft beers from across the region. An intimate and well-known musical venue often featured prominent artists, and, as the woman I lived with always found loudness distasteful, I would attend these shows alone. Being at one, the gathered fans swaying together, made it easy for me to feel like there could be nowhere better. But also, circling the edges of the town, fields ran hundreds of miles in all directions, lush with the green stalks of corn and soy undulating over a landscape that, in winter, shriveled and turned dead, brown, and brittled.

Invited
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A Child Playing Between Checkpoints

By HOMOUD ALSHAIYJE
Translated from the Arabic by NARIMAN YOUSSEF

We were happy children. Fear didn’t stop us from doing what we wanted whenever we wanted. The clock had no place in our daily lives, as long as we were armed by play and by the secret weapon of Allah y-saʿdak, that Iraqi phrase that we used as a password to keep the soldiers at bay.

But when it came to rescuing me from the claws of a heart sickness that sent me to the hospital, twenty-nine years after the invasion, the password didn’t work. In truth, I don’t know what struck me. It seemed that my heart could no longer contain the force of all the memories of the days of the invasion, when I was a nine-year-old who spent most of his time playing football or riding a bicycle. The stream of images pushed my heart rate to over 160 irregular beats per minute. As doctors struggled to figure out the reason, I myself was certain of it.

A Child Playing Between Checkpoints
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Sorrow of Phoenix

By CHO JI HOON
Translated from the Korean by SEKYO NAM HAINES

 

Translator’s note:

Cho Ji Hoon’s “Sorrow of Phoenix” appeared eleven months before the Pearl Harbor attack in the literary magazine Moonjang in 1940. This poem, along with “Old Fashioned Dress” and “Monk Dance,” published a year earlier, are considered to be among his major works. Born in 1920, Cho Ji Hoon grew up under Japan’s oppressive colonial rule after the demise of Chosun Dynasty in 1910 and has said that the foundation of his poetry was his attachment to what was vanishing from his native culture. He longed for the beauty of traditional Korea.

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The Candidate

By J.G. JESMAN

The CV was impressive—though littered with old language. The candidate crammed his opening letter with words like “abreast,” “canonically,” “mammoth,” and other unusual— no, very un-African turns of phrase. For example, in the summary of his academic paper, Malpractices in Traditional Authority Leadership, he wrote: “…for the chiefs to gain community trust, Caesar’s wife must remain above suspicion.” As you can imagine, the candidate stood out. He astonished the interviewing panel at St. Thomas Secondary School in Malowena. It made them picture their old president Dr. Hastings Kamuzu Banda, addressing the nation in Received Pronunciation. Why should a Malawian man of twenty-seven speak of former duties being “orchestrated with much aplomb?”

The Candidate
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Review: Bilbao-New York-Bilbao

By KIRMEN URIBE
Translated by ELIZABETH MACKLIN
Reviewed by NATASHA AYAZ

 

bilbao-new york

 

There is an undeniable poetry to transportation. The reverie of a train roping across land, the intrepidity of a boat charting depthless waters, the surrealism of an aircraft cutting through cloud—all tracing paths like storylines across terrain, all positioning the passenger as an Odyssean protagonist. In Bilbao-New York-Bilbao, Kirmen Uribe takes the family novel to the skies. Originally written in Basque and published in 2008, this latest edition was published in 2022—translated by American poet Elizabeth Macklin and featuring an incisive new foreword by Lebanese-American writer Youmna Chlala. The first of Uribe’s four novels, Bilbao-New York-Bilbao won the 2009 National Prize for Literature in Spain. True to the timelessly familial tendency of many debut novels, its narrative pulse is Uribe’s desire to excavate his ancestral past, collaging testimonies from disparate historical voices into a cohesive portrait.

Review: Bilbao-New York-Bilbao
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On Drowning

By LONNIE LARSEN

 

“Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.”
-Norman MacLean

 

1. 

On a Pacific Northwest wild-fire summer evening, Emmett and I drive the babysitter while the edges of the world burn. She’s chatty and optimistic about fall classes, but I’m distracted by the sun, which is Crayola-Orange, perfect circle, unnatural and eerie. The sky is a muted monotony of ash, like gray-brown construction paper. She prattles away, while I think about being trapped in a naughty child’s apocalyptic crayon drawing.

On Drowning
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Addis Ababa Beté

By ABIGAIL MENGESHA

a photo of a city with a field of flowers and grass

Addis Ababa, Ethiopia

Steel kicks in this belly.

Girls with threadbare braids
weave between motor beasts and cement bags.

Tin roofs give way to glass columns.
Stretching as if to pet the clouds.

Addis Ababa Beté
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Excerpt from Imagine a City: A Pilot’s Journey Across the Urban World

By MARK VANHOENACKER

This piece is excerpted from Imagine a City: A Pilot’s Journey Across the Urban World by Mark Vanhoenacker, a guest at Amherst College’s 2023 LitFest. Register for this exciting celebration of Amherst’s literary life.

headshot of vanhoenackercover of imagine a city

Autumn 1987

I’m thirteen. It’s after school. I’m in my room, at my desk. I look out of the window over the drive and towards the garage. It’s late autumn and it’s almost dark outside. There’s frost in the corners of the window and snow is falling.

I look across the room, at the light-up globe on my dresser. I go to it, flip the switch on its cord and watch as the darkened sphere turns blue in the failing light and starts to shine as if it were in space.

I return to my desk. I sit down, pick up my pencil with my left hand and rest its tip on the sheet of graph paper. I love airplanes and cities and so, not for the first time, I’ve drawn a simple map of the world. I’ll draw a line that begins in one city and ends in another. But which city to start from?

Excerpt from Imagine a City: A Pilot’s Journey Across the Urban World
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Finding One’s Way Through Bewilderment: Virginia Konchan interviews Nathan McClain

headshot of nathanhmcclain

In this interview, VIRGINIA KONCHAN talks with NATHAN McCLAIN about his second full-length collection, Previously Owned. Touching on process and craft, literary influence, racial justice, and faith, this rich conversation celebrates the range of McClain’s poetry and the sense of history and place in his work.

Finding One’s Way Through Bewilderment: Virginia Konchan interviews Nathan McClain
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