Issue 19 Poetry

Waiting on Forty-Five (A Ghazal)

By MIRA ROSENTHAL

 

and then I remember the faint aching hiss of nitrous leaking from the tip of the siphon into the open mouth of me

a hit off the pressurized cream of me

in the darkened storage room round back of the restaurant of me

at twenty-one, the different sounds that rustled in me

freezer hum and thudding voices, conversation concentrate inside of me

who I used to be, was then and then and then: still me

Waiting on Forty-Five (A Ghazal)
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I Remember Stopping on a Little Bridge in 1972

By JAMES RICHARDSON

 

                                   It is so late 
it is early, and there, once again, 
is that thrilling and disturbing bird 
of dawn, its four notes,  
one two THREE, four climbing 
a little way up into the future 
and back down, and once again 
everything thats mine is in a rental truck 
or in the future.  

I Remember Stopping on a Little Bridge in 1972
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Letter from American Airspace

By ELIZABETH A. I. POWELL

 

The end of romance was what the teenage girl
was telling you about on a bench in the Jardin
in San Miguel de Allende, giving you T.M.I.,
but you realized she might need a Father who is not in heaven.
She gasps: Tinder is even sleazier in Mexico, how could it be
nostalgic? You listened, like your poems do when you write
them down in the cafes of Kerouac’s time here. You are Angelico
Americano with Instagram—troubled children of your own back home.

Letter from American Airspace
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The Way Cacti Quiver

By SARA ELKAMEL

 

I am beginning to think about the middle,
and how we should behave in it.

When I say you held me closer than clouds hold birds
you tell me it was coincidence we slept at all.

Of course I want it to stop. I dream every night of a man
with the head of a man and the body of a scary sea creature. 

I dream the man is lost so I carry him home. Of course
I mistake water for home and home for water but at least, I try. 

The Way Cacti Quiver
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