Double Infinity

By MARIA TERRONE

On 88th, the street where I lived as a girl when an hour could seem an eternity, it would be years before I met the young man who pointed out that those numbers, turned on their sides, had a special meaning. What meaning? I wondered and pondered the two unbroken loops pinched at their centers, forever returning to themselves like a pair of ice skaters tracing figure eights into a state of bliss. I wondered if he thought that love is infinite, that our souls will live forever, that sky even on crystalline days moves into unseeable endless space. I was thinking that the iris of his hazel eyes pulled me into a place where I could feel lost or float before thought was possible, as if in vitro. I no longer live on 88th Street, having left double infinity in its impossible realm. Because infinity cannot be multiplied or divided—infinity just is. Still, I was grateful that I didn’t live on Main Street or Elm, and the young man I married found meaning on that finite block in Queens where he found me.

 

Maria Terrone’s full-length poetry collections are Eye to Eye, A Secret Room in Fall (McGovern Prize), and The Bodies We Were Loaned. No Known Coordinates is forthcoming from The Word Works. At Home in the New World was her creative nonfiction debut. Read more at MariaTerrone.com.

[Purchase Issue 26 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Double Infinity

Related Posts

coffee with a spoon

If It Wasn’t for Heroin

AMIYA MORETTA
My Umatilla grandfather / who had one leg, lived down the road, / hobbled to her heroin loyally. / That’s how / my mom and dad, neighbors whose parents / were good friends and fellow addicts, / met as kids, played together / on Frieda Street, those mornings

At night my soul leaves 

KAREN CHASE
up it goes into the stars, for / sustenance. I open / my eyes and pray— / You have returned within me, my / soul with compassion. / Modah ani lefaneka melechai / chai vekayam shehehezarta // I get out of bed, / join the revolution. 

Image of a wooden horse

Trojan Horse

M. B. MCLATCHEY
 It was a gold-seal ruse. A double-/ dealing so sublime the gods ordained / it. Settled into their stadium seats, / they wagered on their favorites. Helen, / the imposter bride, circling and circling  / the gifted horse. / Her Central Casting / lines to the shadows inside.