Hops

By STEPHEN LYONS

When we were young, white, and poor, we were handed dull machetes. At first light, in the back of half-ton grain trucks, we rode past the peppermint fields and the pear orchards of southern Oregon. We were strangers thrown together like dice in a cup. Some of us smoked quietly or blew the steam off the tops of take-out coffee containers. Others sipped whiskey from dented flasks or spit tobacco into plastic bottles. In ratty plaid shirts, torn dungarees, and worn out boots we looked the part of migrant workers. We would work twelve hours with half-hour lunch breaks that felt like no break at all. At the end of our shift we were older, more broken, and still in debt.

Hops
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Review: Garden for the Blind

Book by KELLY FORDON
Reviewed by TYLER BALDWIN

Garden for the Blind

Garden for the Blind is a more idiosyncratic book than one might realize after a cursory read, a provocative and unconventional meditation on privilege, fate, and the city of Detroit. Kelly Fordon’s debut in full-length fiction is a collection of closely interlinked short stories that follow a small cast of characters from childhood to middle age. One of the satisfactions of reading linked-story collections is the sensation, a bit like time travel, of being guided through someone’s life by someone (think Ebenezer Scrooge and the Christmas ghosts) who knows all the most important moments to show you. Fordon seems to imply this in one of the stories near the end of the collection, “In the Museum of Your Life,” in which a gallery visit inspires the protagonist, Alice, to act as a guide to her own past. Paintings and objects become portals to memory, leaving her with nostalgia, guilt, regret, and unanswerable questions of fate and free will. 

Review: Garden for the Blind
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June 2016 Poetry Feature

Please join us in welcoming Erica Dawson and William Brewer, poets new to our pages. Both have work forthcoming in our print journal.

June 2016 Poetry Feature
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Review: Here Comes the Sun

Book by NICOLE DENNIS-BENN
Reviewed by ANGELA AJAYI

Here Comes the Sun

Nicole Dennis-Benn’s debut novel Here Comes the Sun opens with the stirring words, “God Nuh Like Ugly.” The melding of Jamaican Patois and English establishes an immediate authenticity, as does the disturbing discovery that ugly is synonymous with the blackness of one’s skin. The experience of reading this is akin to encountering Toni Morrison’s unflinching gaze upon the Antebellum South where she set her novel, Beloved. However, Dennis-Benn’s setting is not the slave-owning South of the 19th century U.S. but a black nation, the island of Jamaica, specifically, circa mid-1990s.

Review: Here Comes the Sun
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The Hands That Touched It Last

Our flight to Boston had been delayed five hours for operational reasons, we were told. The Istanbul airport was hot and thick with people, a hectic crossroads from which we all hoped we’d escape, eventually. We’d been there three hours already—essentially nothing, judging by the quantity of sleeping bodies slumped against each other on the ground, splayed across chairs, face down on tables. We paced the warm corridors, sticky with traveler sweat, past the food court, mosque, flooded bathrooms, Victoria’s Secret. We slumped over a table eating savory pastries, watching others in similar states of surrender.

The Hands That Touched It Last
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Yellow, Blue, Yellow, Blue

market

My husband’s nemesis is a taxi driver who is always parked at the end of our block. He has a luxury vehicle, an old Mercedes, which looks out of place on these long-neglected, pocky streets. To my knowledge, he’s never given anyone a ride. Ethan gets into arguments with him about the cost of a trip when we’re in a desperate hurry. It always ends the same: we look for someone else. From what I can observe, the driver has a Sonic-the-Hedgehog knockoff on his iPad knockoff and he won’t stop playing unless offered a ridiculous amount of money. He’s the Linda Evangelista of taxi drivers in Kyrgyzstan.

Yellow, Blue, Yellow, Blue
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Angela Palm on Riverine and Bending Genres

S. TREMAINE NELSON interviews ANGELA PALM

Angela Palm is a Vermont-based author, editor, and writing instructor. Her first book, Riverine: A Memoir from Anywhere but Here, will be published by Graywolf Press in August 2016. S. Tremaine Nelson met with Palm outdoors at a cafe less than a hundred yards from the shores of Lake Champlain in Burlington, Vermont, on the first warm day of spring this year. They spoke about Palm’s influences, class in Indiana, and the pervasive brokenness of the American criminal justice system.

Angela Palm on Riverine and Bending Genres
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