Noé

By OSWALDO VARGAS

Neither of us see or hear the kittens
when we set the garbage pile at the farm on fire.

We come back to spines and white smoke—
that means a new Pope is coming—

but the mother cat is in his lap,
staring like a mother who saw my lover

spit on me
and I don’t deny it,

I even introduce him:
Noé,

and how, like his namesake Noah,
he wants to live 950 years

if it means 950 years of meeting me
behind a cinder block

that the city forgot.

 

Oswaldo Vargas is a former farmworker and a 2021 Undocupoets Fellowship recipient. He has been anthologized in Nepantla: An Anthology Dedicated to Queer Poets of Color and published in Narrative Magazine and Academy of American Poets’ “Poem-A-Day” (among other publications). He lives and dreams in Sacramento, California.

[Purchase Issue 26 here.]

Noé

Related Posts

Glass: Five Sonnets

MONIKA CASSEL
In ’87 I see guardsmen walk their AK-47s / on the platforms. The trains slow down but never stop. I think, / my mother was born in such a different Germany, but this is true for everyone / —so why can’t I stop looking?

cover of "Civilians"

On Civilians: Victoria Kelly Interviews Jehanne Dubrow

JEHANNE DUBROW
Now we live in North Texas, hours away from the nearest shore. And yet, the massive amounts of open space—all the prairie, marsh, and plains that we have here—started to feel like another kind of vast water, another great expanse of distance and isolation.