On Being a Vine

By RAE PARIS

for my niece, who got the part of a vine in The Secret
Garden at her predominantly White school

Your worried face wonders if you can do this. How does
a vine think? What does it feel? Do vines own hearts,
and if so do they beat fast or slow? What about souls?
Maybe when we wake in the night and want a glass of
water or our mothers or fathers or our younger brothers
maybe when we wake our breath caught between this
world and some other maybe it’s the vine souls choking
us to remember their life and do they dream of sun or sky
or clouds all of it up and away reaching toward light or
maybe roots and earth wet and dark and deep? Are their
nightmares of us? And what if the frozen-faced crowd
makes you forget the vine dance your small arms trying
to wrap around giant air on a glaring stage? What then?
What if you stand still, let the world race around you, you,
your own secret light in the eye tangled prayer of hands
beneath your chin? Listen: What we know of vines ain’t
got nothin on you sweetest brown girl greenest thing this
world will ever see.

Rae Paris is from Carson, California. Her work has been supported by a NEA Literature Fellowship, and residencies from Helene Wurlitzer Foundation, the Hambidge Center, Atlantic Center for the Arts, Hedgebrook, VONA, and Norcroft. Her poem “The Forgetting Tree” was selected as Best of the Net 2013. She teaches fiction at the Bread Loaf School of English, and lives and writes mostly in East Lansing, Michigan where she’s Assistant Professor of English at Michigan State University.

[Purchase your copy of Issue 09 here.]

On Being a Vine

Related Posts

Skyline with buildings.

Translation: Two Poems by Edith Bruck

EDITH BRUCK
Pretty soon / When people hear a quiz show master / Talk about Auschwitz / They’ll wonder if they would have guessed / That name / They’ll comment on the current champion / Who never gets dates wrong / And always pinpoints the number of dead.

Chinese Palace

Portfolio from China: Poetry Feature I

LI ZHUANG
In your fantasy, the gilded eaves of Tang poked at the sun. / In their shadow, a phoenix rose. / Amid the smoke of burned pepper and orchids, / the emperor’s favorite consort twirled her long sleeves. / Once, in Luo Yang, the moon and the sun shone together.

Xu sits with Grandma He, the last natural heir of Nüshu, and her two friends next to her home in Jiangyong. Still from Xu’s documentary film, “Outside Women’s Café (2023)”. Image courtesy of the artist.

Against This Earth, We Knock

JINJIN XU
The script takes the form of a willow-like text, distinctive from traditional Chinese text in its thin shape and elegance. Whenever Grandma He’s grandmother taught her to write the script, she would cry, as if the physical act of writing the script is an act of confession.