That black telephone would ring and ring,
fixed to its wall. It was a ring that roamed
the mind, while night drummed down
its list of last and lost events, circadian
paths that tangled where they tried to pass,
crossed and uncrossed hours.
I love you, I say, after the quarrel but before
falling asleep. And within that small victory
I can feel my chest muscles tightening,
as my breath rises before me like a cartoon cloud
awaiting the articulation of the storm.
That on the silent horizon, something
Not a sunrise rose, half itself and half
The horizon, dragging its bulk, its lights
And salts, from under shifting sheets of sea,
Leveling the sky into shallow moats
Of sounds, flecks of birds, beginning again
To believe all brief and sideways dreaming
POETRY NEVER STOPS DEFINING AND REDEFINING ITS TERRAIN
Poetry never stops defining and redefining its terrain. It has done so throughout history, since Aristotle, Cascales, or Antonio Minturno. But this task, which seems like a kind of prison sentence, is also a fountain of intensity, a force.
Poetry Never Stops Defining and Redefining Its Terrain (English & Spanish)
And he stirred his coffee, the old poet, and spoke of
Dante, and how Homer’s journey to the underworld
wove a thread through Virgil to the selva oscura. And
that the Commedia was not the apex of Christianity, but
its finale. That the enormous architecture of the poem
was not built to house theology, but to protect man from
the absence of God, who had already departed.