Why Teach The Common? Teach The Common in your classroom and receive discounted subscriptions, a free desk copy, and lesson plans. A classroom subscription includes two issues for every student, and an in-person or Skype visit from Editor in Chief Jennifer Acker or a participating author. Learn more about teaching The Common or contact us for more options. Supplementary materials for
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Teach Issue 5
Why Teach The Common? Teach The Common in your classroom and receive discounted subscriptions, a free desk copy, and lesson plans. A classroom subscription includes two issues for every student, and an in-person or Skype visit from Editor in Chief Jennifer Acker or a participating author. Learn more about teaching The Common or contact us for more options. Supplementary materials for
Teach Issue 6
Why Teach The Common? Teach The Common in your classroom and receive discounted subscriptions, a free desk copy, and lesson plans. A classroom subscription includes two issues for every student, and an in-person or Skype visit from Editor in Chief Jennifer Acker or a participating author. Learn more about teaching The Common or contact us for more options. Supplementary materials for
Teach Issue 7
Why Teach The Common? Teach The Common in your classroom and receive discounted subscriptions, a free desk copy, and lesson plans. A classroom subscription includes two issues for every student, and an in-person or Skype visit from Editor in Chief Jennifer Acker or a participating author. Learn more about teaching The Common or contact us for more options. Supplementary materials for
Teach Issue 8
Why Teach The Common? Teach The Common in your classroom and receive discounted subscriptions, a free desk copy, and lesson plans. A classroom subscription includes two issues for every student, and an in-person or Skype visit from Editor in Chief Jennifer Acker or a participating author. Learn more about teaching The Common or contact us for more options. Supplementary materials for
Leaving New York City: an Interview with Cathy Linh Che
My writing doesn’t look too different, though––it springs from the same source. I still write about family, love, heartbreak. Maybe the landscapes that show up in the writing are a bit different.
Like an Eggplant Parmigiana, Like Layers of Rock
Four of us are here, in mid-Sicily, waiting for something that will lead us to make art. The life of Akrai Residency for three weeks.
Friday Reads: April 2016
Politics and history crackle through the plotlines of our recommended books this month, as we travel the world experiencing struggle and mourning in a many-layered collage of contexts.
Profound Surrender: An Interview with Ellis Avery
Usually, I don’t write because I believe I have something urgent to say, I discover I have something to say because of the urgency with which it wells up when I write.
Outer Space as Utopia: Wendy S. Walters on the American Real and Surreal
I am interested in the material impact of narrative, whether construed from fact or fiction. I do believe narratives leave a trace, either psychological or metaphysical, and for that reason, I think it’s as important to invent stories as it is to uncover them. Fact and fiction can both serve those in power and those who are not. The power to tell stories resides within everyone.
